Upon the Knowledge of the differing wayes of making Minerals and Metalls produce their adventitious Colours in Bodies capable of Vitrification, depends the pretty Art of making what Chymists by a Barbarous Word are pleas’d to call Amanses, that is counterfeit, or factitious Gemms, as Emeralds, Rubies, Saphires, Topazes, and the like.  For in the making of these, though pure Sand or Calcin’d Crystal give the Body, yet ’tis for the most part some Metalline or Mineral Calx, mingled in a small proportion that gives the Colour.  But though I have many years since taken delight, to divert my self with this pleasing Art, and have seen very pretty Productions of it, yet besides that I fear I have now forgot most of the little Skill I had in it, this is no place to entertain you with what would rather take up an intire Discourse, than be comprehended in an Annotation; wherefore the few things which I shall here take notice of to you, are only what belong to the present Argument, Namely,

First, That I have often observ’d that Calcin’d Lead Colliquated with fine White Sand or Crystal, reduc’d by ignitions and subsequent extinctions in Water to a subtile Powder, will of it self be brought by a due Decoction to give a cleer Mass Colour’d like a German Amethyst.  For though this glass of Lead, is look’d upon by them that know no better way of making Amanses, as the grand Work of them all, yet which is an inconvenience that much blemishes this way, the Calcin’d Lead it self does not only afford matter to the Amanses, but has also as well as other Metals a Colour of its own, which as I was saying, I have often found to be like that of German (as many call them) not Eastern Amethysts.

Secondly, That nevertheless this Colour may be easily over-powr’d by those of divers other Mineral Pigments (if I may so call them) so that with a glass of Lead, you may Emulate (for Instance) the fresh and lovely Greenness of an Emerald, though in divers cases the Colour which the Lead it self upon Vitrification tends to, may vitiate that of the Pigment, which you would introduce into the Mass.

Thirdly, That so much ev’n these Colours depend upon Texture, that in the Glass of Lead it self made of about three parts of Lytharge or Minium Colliquated with one of very finely Powder’d Crystal or Sand, we have taken pleasure to make the mixture pass through differing Colours, as we kept it more or less in the Fusion.  For it was not usually till after a pretty long Decoction that the Mass attain’d to the Amethystin Colour.

Fourthly and lastly, That the degrees of Coction and other Circumstances may so vary the Colour produc’d in the same mass, that in a Crucible that was not great I have had fragments of the same Mass, in some of which perhaps not so big as a Hazel-Nut, you may discern four distinct Colours.

Annotation VI.

You may remember (Pyrophilus) that when I mention’d the three sorts of adventitious Colours of Metals, I mention’d them but as the chief, not the only.  For there may be other wayes, which though they do not in so strict a sense belong to the adventitious Colours of Metals, may not inconveniently be reduc’d to them.  And of these I shall name now a couple, without denying that there may be more.