Experiments and Considerations Touching Colours (1664) eBook

This eBook from the Gutenberg Project consists of approximately 260 pages of information about Experiments and Considerations Touching Colours (1664).

Experiments and Considerations Touching Colours (1664) eBook

This eBook from the Gutenberg Project consists of approximately 260 pages of information about Experiments and Considerations Touching Colours (1664).
had occasion among other Tryals to mingle a few grains of Shell-silver (such as is imploy’d with the Pensil and Pen) with a convenient proportion of powder’d Crystal Glass, having kept them two or three hours in fusion, I was surpriz’d to find the Colliquated Mass to appear upon breaking the Crucible of a lovely Saphirine Blew, which made me suspect my Servant might have brought me a wrong Crucible, but he constantly affirm’d it to be the same wherein the Silver was put, and considerable Circumstances countenanc’d his Assertion, so that till I have opportunity to make farther Tryal, I cannot but suspect, either that Silver which is not (which is not very probable) brought to a perfect Fusion and Colliquation with Glass, may impart to it other Colours than when Neal’d upon it, or else (which is less unlikely) that though Silver Beaters usually chuse the finest Coyn they can get, as that which is most extensive under the Hammer, yet the Silver-leaves of which this Shel-silver was made, might retain so much Copper as to enable it to give the predominant tincture to the Glass.

For, I must proceed to tell you (Pyrophilus) as another instance of the Adventitious Colours of Metals, that which is something strange, Namely, That though Copper Calcin’d per se affords but a Dark and basely Colour’d Calx, yet the Glassmen do with it, as themselves inform me, Tinge their Glass green.  And I remember, that when once we took some crude Copper, and by frequent Ignition quenching it in Water had reduc’d it to a Dark and Ill-colour’d Powder, and afterward kept it in Fusion in about a 100. times its weight of fine Glass, we had, though not a Green, yet a Blew colour’d Mass, which would perhaps have been Green, if we had hit right upon the Proportion of the Materials, and the Degree of Fire, and the Time wherein it ought to be kept in Fusion, so plentifully does that Metal abound in a Venerial Tincture, as Artists call it, and in so many wayes does it disclose that Richness.  But though Copper do as we have said give somewhat near the like Colour to Glass, which it does to Aqua-fortis, yet it seems worth inquiry, whether those new Colours which Mineral Bodies disclose in melted Glass, proceed from the Coalition of the Corpuscles of the Mineral with the Particles of the Glass as such, or from the Action (excited or actuated by fire) of the Alcalizate Salt (which is a main Ingredient of Glass,) upon the Mineral Body, or from the concurrence of both these Causes, or else from any other.  But to return to that which we were saying, we may observe that Putty made by calcining together a proportion of Tin and Lead, as it is it self a White Calx, so does it turn the Pitta di Crystallo (as the Glassmen call the matter of the Purer sort of Glass, wherewith it is Colliquated into a White Mass, which if it be opacous enough is employ’d, as we elsewhere declare, for White Amel.  But of the Colours which the other Metals may be made to produce in Colourless Glass, and other Vitrifiable Bodies, that have native Colours of their own, I must leave you to inform your self upon Tryal, or at least must forbear to do it till another time, considering how many Annotations are to follow, upon what has in this and the two former Experiments been said already.

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