For thirty years Jerome-Nicolas-Sechard had worn the famous municipal three-cornered hat, which you may still see here and there on the head of the towncrier in out-of-the-way places. His breeches and waistcoat were of greenish velveteen, and he wore an old-fashioned brown greatcoat, gray cotton stockings, and shoes with silver buckles to them. This costume, in which the workman shone through the burgess, was so thoroughly in keeping with the man’s character, defects, and way of life, that he might have come ready dressed into the world. You could no more imagine him apart from his clothes than you could think of a bulb without its husk. If the old printer had not long since given the measure of his blind greed, the very nature of the man came out in the manner of his abdication.
Knowing, as he did, that his son must have learned his business pretty thoroughly in the great school of the Didots, he had yet been ruminating for a long while over the bargain that he meant to drive with David. All that the father made, the son, of course, was bound to lose, but in business this worthy knew nothing of father or son. If, in the first instance, he had looked on David as his only child, later he came to regard him as the natural purchaser of the business, whose interests were therefore his own. Sechard meant to sell dear; David, of course, to buy cheap; his son, therefore, was an antagonist, and it was his duty to get the better of him. The transformation of sentiment into self-seeking, ordinarily slow, tortuous, and veiled by hypocrisy in better educated people, was swift and direct in the old “bear,” who demonstrated the superiority of shrewd tipple-ography over book-learned typography.