and was extremely severe on the ‘Blue-stockings’ of literature.  ’Il ne s’agit pas de former ici des “femmes savantes.”  Les “femmes savantes” ont ete marquees pour jamais par un des plus grands genies de notre race d’une legere teinte de ridicule.  Non, ce n’est pas des femmes savantes que nous voulons:  ce sont tout simplement des femmes:  des femmes dignes de ce pays de France, qui est la patrie du bons sens, de la mesure, et de la grace; des femmes ayant la notion juste et le sens exquis du role qui doit leur appartenir dans la societe moderne.’  There is, no doubt, a great deal of truth in M. Spuller’s observations, but we must not mistake a caricature for the reality.  After all, Les Precieuses Ridicules contrasted very favourably with the ordinary type of womanhood of their day, not merely in France, but also in England; and an uncritical love of sonnets is preferable, on the whole, to coarseness, vulgarity and ignorance.

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I am glad to see that Miss Ramsay’s brilliant success at Cambridge is not destined to remain an isolated instance of what women can do in intellectual competitions with men.  At the Royal University in Ireland, the Literature Scholarship of 100 pounds a year for five years has been won by Miss Story, the daughter of a North of Ireland clergyman.  It is pleasant to be able to chronicle an item of Irish news that has nothing to do with the violence of party politics or party feeling, and that shows how worthy women are of that higher culture and education which has been so tardily and, in some instances, so grudgingly granted to them.

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The Empress of Japan has been ordering a whole wardrobe of fashionable dresses in Paris for her own use and the use of her ladies-in-waiting.  The chrysanthemum (the imperial flower of Japan) has suggested the tints of most of the Empress’s own gowns, and in accordance with the colour-schemes of other flowers the rest of the costumes have been designed.  The same steamer, however, that carries out the masterpieces of M. Worth and M. Felix to the Land of the Rising Sun, also brings to the Empress a letter of formal and respectful remonstrance from the English Rational Dress Society.  I trust that, even if the Empress rejects the sensible arguments of this important Society, her own artistic feeling may induce her to reconsider her resolution to abandon Eastern for Western costume.

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I hope that some of my readers will interest themselves in the Ministering Children’s League for which Mr. Walter Crane has done the beautiful and suggestive design of The Young Knight.  The best way to make children good is to make them happy, and happiness seems to me an essential part of Lady Meath’s admirable scheme.

(1) Gossips with Girls and Maidens Betrothed and Free.  By Lady Bellairs.  (Blackwood and Sons.)

(2) A Modern Apostle and Other Poems.  By Constance Naden. (Kegan Paul.)