Max eBook

Katherine Cecil Thurston
This eBook from the Gutenberg Project consists of approximately 312 pages of information about Max.

Max eBook

Katherine Cecil Thurston
This eBook from the Gutenberg Project consists of approximately 312 pages of information about Max.
those who fare forth by necessity rather than by choice.  In the sleeping-cars all the berths were occupied, but here and them throughout the length of the train an occasional traveller slept on the seat of his carriage, wrapped in coats and rugs, while in the dining-saloon a couple of sleepy waiters lurched to and fro in attendance upon a party of three men whose energy precluded the thought of wasting even the night hours and who were playing cards at one of the small tables.  Up and down the whole overheated, swaying train there was the suggestion of mystery, of contrast and effect, and the twinkling eyes of the electric lamps seemed to wink from behind their drawn hoods as though they, worldly wise and watchful, saw the individuality—­the inevitable story—­behind the drowsy units who sat or lay or lounged unguarded beneath them.

In one carriage, the fifth or sixth from the thundering engine, these lights winked and even laughed one to the other each time the train lurched over the points, and the dark, shrouding hoods quivered, allowing a glimpse at the occupant of the compartment.

It was the figure of a boy upon which the twinkling lamp-eyes flickered—­a boy who had as yet scarce passed the barrier of manhood, for the skin of the face was clean and smooth, and the limbs, seen vaguely under a rough overcoat, had the freedom and supple grace that belongs to early youth.

He was sleeping, this solitary traveller—­one hand under his head, the other instinctively guarding something that lay deep and snug in the pocket of his overcoat.  His attitude was relaxed, but not entirely abandoned to the solace of repose; even in his sleep a something of self-consciousness seemed to cling to him—­a need for caution that lay near to the surface of his drowsing senses—­for once or twice he started, once or twice his straight, dark eyebrows twitched into a frown, once or twice his fingers tightened nervously upon their treasure.  He was subconsciously aware that, deserted though the compartment was, it yet exhaled an alien suggestion, embodied in the rugs, the coats, the hand-baggage of the card-playing travellers, which was heaped upon the seat opposite.

But, despite this physical uneasiness, he was dreaming as the train tore along through the damp, peaceful country—­dreaming with that odd confusion of time and scene that follows upon keen excitement, stress of feeling or stress of circumstance.

As he dreamed, he was standing again in the outer court of a house in Petersburg—­a house to which he was debtor for one night’s shelter; it was early morning and deadly cold.  The whole picture was sharp as a cut crystal—­the triple court-yard, the stone pavement, the gray well, and frozen pile of firewood.  He saw, recognized, lost it, and knew himself to be skimming down the Nevskiy Prospekt and across the Winter Palace Square, where the great angel towers upon its rose-granite monument.  Forward, forward he was carried, along the bank of the frozen Neva and over the Troitskiy bridge, the powdered snow stinging his face like pinpoints as it flew up from the nails in his little horse’s shoes.  Then followed a magnifying of the picture—­massed buildings rising from the snow—­buildings gold and turquoise-domed, that, even as they materialized, lost splendor and merged into the unpretentious frontage of the Finland station.

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Project Gutenberg
Max from Project Gutenberg. Public domain.