The Development of the Feeling for Nature in the Middle Ages and Modern Times eBook

This eBook from the Gutenberg Project consists of approximately 445 pages of information about The Development of the Feeling for Nature in the Middle Ages and Modern Times.

The Development of the Feeling for Nature in the Middle Ages and Modern Times eBook

This eBook from the Gutenberg Project consists of approximately 445 pages of information about The Development of the Feeling for Nature in the Middle Ages and Modern Times.

  Now therefore, when in youthful guise I see
  The world attire itself in soft green hue,
  I think that in this age unripe I view
  That lovely girl, who’s now a lady’s mien. 
  Then, when the sun ariseth all aglow,
  I trace the wonted show
  Of amorous fire, in some fine heart made queen... 
  When leaves or boughs or violets on earth
  I see, what time the winter’s cold decays,
  And when the kindly stars are gathering might,
  Mine eye that violet and green portrays
  (And nothing else) which, at my warfare’s birth,
  Armed Love so well that yet he worsts me quite. 
  I see the delicate fine tissue light
  In which our little damsel’s limbs are dressed.... 
  Oft on the hills a feeble snow-streak lies,
  Which the sun smiteth in sequestered place. 
  Let sun rule snow!  Thou, Love, my ruler art,
  When on that fair and more than human face
  I muse, which from afar makes soft my eyes.... 
  I never yet saw after mighty rain
  The roving stars in the calm welkin glide
  And glitter back between the frost and dew,
  But straight those lovely eyes are at my side.... 
  If ever yet, on roses white and red,
  My eyes have fallen, where in bowl of gold
  They were set down, fresh culled by virgin hands,
  There have I seemed her aspect to behold.... 
  But when the year has flecked
  Some deal with white and yellow flowers the braes,
  I forthwith recollect
  That day and place in which I first admired
  Laura’s gold hair outspread, and straight was fired.... 
  That I could number all the stars anon
  And shut the waters in a tiny glass
  Belike I thought, when in this narrow sheet
  I got a fancy to record, alas,
  How many ways this Beauty’s paragon
  Hath spread her light, while standing self-complete,
  So that from her I never could retreat.... 
  She’s closed for me all paths in earth and sky.

The reflective modern mind is clear in this, despite its loquacity.  He was yet more eloquent and intense, more fertile in comparisons, when his happiest days were over.

In Ode 24, standing at a window he watches the strange forms his imagination conjures up—­a wild creature torn in pieces by two dogs, a ship wrecked by a storm, a laurel shattered by lightning: 

  Within this wood, out of a rock did rise
  A spring of water, mildly rumbling down,
  Whereto approached not in any wise
  The homely shepherd nor the ruder clown,
  But many muses and the nymphs withal.... 
  But while herein I took my chief delight,
  I saw (alas!) the gaping earth devour
  The spring, the place, and all clean out of sight—­
  Which yet aggrieves my heart unto this hour.... 
  At last, so fair a lady did I spy,
  That thinking yet on her I burn and quake,
  On herbs and flowers she walked pensively.... 
  A stinging serpent by the heel her caught,
  Wherewith she languished as the gathered flower.

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The Development of the Feeling for Nature in the Middle Ages and Modern Times from Project Gutenberg. Public domain.