And when she comes to the tree Asoka, she implores:
Ah, lovely tree! that wavest here
Thy crown of countless shining clustering
blooms
As thou wert woodland king! Asoka
tree!
Tree called the sorrow-ender, heart’s-ease
tree!
Be what thy name saith; end my sorrow
now,
Saying, ah, bright Asoka, thou hast seen
My Prince, my dauntless Nala—seen
that lord
Whom Damajanti loves and his foes fear.
In Maghas’ epic, The Death of Sisupala, plants and animals lead the same voluptuous life as the ‘deep-bosomed, wide-hipped’ girls with the ardent men.
’The mountain Raivataka touches the ether with a thousand heads, earth with a thousand feet, the sun and moon are his eyes. When the birds are tired and tremble with delight from the caresses of their mates, he grants them shade from lotos leaves. Who in the world is not astonished when he has climbed, to see the prince of mountains who overshadows the ether and far-reaching regions of earth, standing there with his great projecting crags, while the moon’s sickle trembles on his summit?’
In Kalidasa’s Urwasi, the deserted King who is searching for his wife asks the peacock:
Oh tell,
If, free on the wing as you soar,
You have seen the loved nymph I deplore—
You will know her, the fairest of damsels
fair,
By her large soft eye and her graceful
air;
Bird of the dark blue throat and eye of
jet,
Oh tell me, have you seen the lovely face
Of my fair bride—lost in this
dreary wilderness?
and the mountain:
Say mountain, whose expansive slope confines
The forest verge, oh, tell me hast thou
seen
A nymph as beauteous as the bride of love
Mounting with slender frame thy steep
ascent,
Or wearied, resting in thy crowning woods?
As he sits by the side of the stream, he asks whence comes its charm:
Whilst gazing on the stream, whose new
swollen waters
Yet turbid flow, what strange imaginings
Possess my soul and fill it with delight.
The rippling wave is like her aching brow;
The fluttering line of storks, her timid
tongue;
The foaming spray, her white loose floating
vest;
And this meandering course the current
tracks
Her undulating gait.
Then he sees a creeper without flowers, and a strange attraction impels him to embrace it, for its likeness to his lost love:
Vine of the wilderness, behold
A lone heartbroken wretch in me,
Who dreams in his embrace to fold
His love, as wild he clings to thee.
Thereupon the creeper transforms itself into Urwasi.


