The Development of the Feeling for Nature in the Middle Ages and Modern Times eBook

This eBook from the Gutenberg Project consists of approximately 445 pages of information about The Development of the Feeling for Nature in the Middle Ages and Modern Times.

The Development of the Feeling for Nature in the Middle Ages and Modern Times eBook

This eBook from the Gutenberg Project consists of approximately 445 pages of information about The Development of the Feeling for Nature in the Middle Ages and Modern Times.
by His workmanship into its reservoirs, passeth not the barriers wherewith it is surrounded; but even as He ordered it, so it doeth.  For He said, “so far shalt thou come, and thy waves shall be broken within thee.”  The ocean which is impassable for men, and the worlds beyond it, are directed by the same ordinances of the Master.  The seasons of spring and summer and autumn and winter give way in succession one to another in peace.  The winds in their several quarters at their proper seasons fulfil their ministry without disturbance, and the overflowing fountains, created for enjoyment and health, without fail give their breasts which sustain the life for men.  Yea, the smallest of living things come together in concord and peace.’[1]

The three great Cappadocians, the most representative of the Greek Fathers and leaders of the fourth century, wrote about the scenery round them in a tone of sentimentality not less astonishing, in view of the prejudice which denies all feeling for Nature to the Middle Ages, than their broad humanity and free handling of dogma.

It was no ascetic renouncing the world and solitude[2]; but rather a sensitive man, thoughtful and dreamy at once, who wrote as follows (Basil the Great to Gregory Nazianzen): 

It is a lofty mountain overshadowed with a deep wood, irrigated on the north by cold and transparent streams.  At its foot is spread a low plain, enriched perpetually with the streams from the mountains.  The wood, a virgin forest of trees of various kinds and foliage which grows around it, almost serves it as a rampart; so that even the Isle of Calypso, which Homer evidently admired as a paragon of loveliness, is nothing in comparison with this.  For indeed it is very nearly an island, from its being enclosed on all sides with rocky boundaries.  On two sides of it are deep and precipitous ravines, and on another side the river flowing from the steep is itself a continuous and almost impassable barrier.  The mountain range, with its moon-shaped windings, walls off the accessible parts of the plain.  There is but one entrance, of which we are the masters.  My hut is built on another point, which uplifts a lofty pinnacle on the summit, so that this plain is outspread before the gaze, and from the height I can catch a glimpse of the river flowing round, which to my fancy affords no less delight than the view of the Strymore as you look from Amphipolis.  For the Strymore broadens into lakes with its more tranquil stream, and is so sluggish as almost to forfeit the character of a river.  The Iris, on the other hand, flowing with a swifter course than any river I know, for a short space billows along the adjacent rock, and then, plunging over it, rolls into a deep whirlpool, affording a most delightful view to me and to every spectator, and abundantly supplying the needs of the inhabitants, for it nurtures an incredible number of fishes in its eddies.
Why need I tell you of the sweet exhalations
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The Development of the Feeling for Nature in the Middle Ages and Modern Times from Project Gutenberg. Public domain.