Then, as he was going away, he felt how sympathetic the place had been to him:
I was walking up and down
the very avenue which was so dear to
me—a secret sympathy
had frequently drawn me thither....
the moon rose from behind a hill, increasing his melancholy, and Charlotte put his feeling into words, saying (like Klopstock):
September 10.—Whenever
I walk by moonlight, it brings to my
remembrance all my beloved
and departed friends, and I am filled
with thoughts of death and
futurity.
Even in his misery he realises the [Greek: charisgoon] of Euripides, Petrarch’s dolendi voluptas—the Wonne der Wehmuth.
On September 4th he wrote:
It is even so! As Nature
puts on her autumn tints, it becomes
autumn with me and around
me. My leaves are sere and yellow, and
the neighbouring trees are
divested of their foliage.
It was due to this autumn feeling that he could say:
Ossian has superseded Homer in my heart. To what a world does the illustrious bard carry me! To wander over pathless wilds, surrounded by impetuous whirlwinds, where, by the feeble light of the moon, we see the spirits of our ancestors; to hear from the mountain tops, ’mid the roar of torrents, their plaintive sounds issuing from deep caverns.... And this heart is now dead; no sentiment can revive it. My eyes are dry, and my senses, no more refreshed by the influence of soft tears, wither and consume my brain. I suffer much, for I have lost the only charm of life, that active sacred power which created worlds around me, and it is no more. When I look from my window at the distant hills and behold the morning sun breaking through the mists and illuminating


