The Development of the Feeling for Nature in the Middle Ages and Modern Times eBook

This eBook from the Gutenberg Project consists of approximately 445 pages of information about The Development of the Feeling for Nature in the Middle Ages and Modern Times.

The Development of the Feeling for Nature in the Middle Ages and Modern Times eBook

This eBook from the Gutenberg Project consists of approximately 445 pages of information about The Development of the Feeling for Nature in the Middle Ages and Modern Times.
The day was fine, the sky blue, the weather everywhere warm.  The sun shone down on the globe with her pleasant lukewarm beams so pleasantly, that one scarcely cared to stay indoors.  They went into the garden, where the roses had opened in the warmth of the sun, and first sat down by the stream, then went to the grottos, where Markhold particularly admired the shell decorations.  When this charming party had had enough of both, they finally betook themselves to a leafy walk, where Rosemund introduced pleasant conversation on many topics.  She talked first about the many colours of tulips, and remarked that even a painter could not produce a greater variety of tints nor finer pictures than these, etc.

In describing physical beauty, he used comparisons from Nature; for instance, in Simson[16]: 

The sun at its brightest never shone so brightly as her two eyes ... no flower at its best can shew such red as blooms in the meadow of her cheeks, no civet rose is so milk-white, no lily so delicate and spotless, no snow fresh-fallen and untrodden is so white, as the heaven of her brows, the stronghold of her mind.

H. Anselm von Ziegler und Klipphausen also waxes eloquent in his famous Asiatischen Banise:  ’The suns of her eyes played with lightnings; her curly hair, like waves round her head, was somewhat darker than white; her cheeks were a pleasant Paradise where rose and lily bloomed together in beauty—­yea, love itself seemed to pasture there.’  Elsewhere too this writer, so highly esteemed by the second Silesian school of poets, indulged in showy description and inflated rhetoric.  Anton Ulrich von Braunschweig-Wolfenbuettel tried more elaborate descriptions of scenery; so that Chovelius says: 

The Duke’s German character shews pleasantly in his delight in Nature.  The story often takes one into woods and fields; already griefs and cares were carried to the running brook and mossy stone, and happy lovers listened to the nightingale.

His language is barely intelligible, but there is a pleasant breadth about his drawing—­for example, of the king’s meadow and the grotto in Aramena

Very cold crystal streams flowed through the fields and ran softly over the stony ground, making a pleasant murmur.  Whilst the ear was thus contented, a distant landscape delighted the eye.  No more delightful place, possessing all this at once, could have been found, etc.
Looking through the numerous air-holes, the eye lost itself in a deep valley, surrounded by nothing but mountains, where the shepherds tended their flocks, and one heard their flutes multiplied by the echo in the most delightful way.

Mawkish shepherd play is mixed here with such verses as (Rahel): 

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The Development of the Feeling for Nature in the Middle Ages and Modern Times from Project Gutenberg. Public domain.