The Glory of English Prose eBook

Stephen Coleridge
This eBook from the Gutenberg Project consists of approximately 131 pages of information about The Glory of English Prose.

The Glory of English Prose eBook

Stephen Coleridge
This eBook from the Gutenberg Project consists of approximately 131 pages of information about The Glory of English Prose.
Like Murray, he did not conduct the understanding through the painful subtilty of argumentation; nor was he, like Townshend, for ever on the rack of exertion, but rather lightened upon the subject, and reached the point by the flashings of his mind, which, like those of his eye, were felt, but could not be followed.
“Yet he was not always correct or polished; on the contrary, he was sometimes ungrammatical, negligent, and unenforcing, for he concealed his art, and was superior to the knack of oratory.  Upon many occasions he abated the vigour of his eloquence, but even then, like the spinning of a cannon ball, he was still alive with fatal, unapproachable activity.
“Upon the whole, there was in this man something that could create, subvert, or reform; an understanding, a spirit, and an eloquence to summon mankind to society, or to break the bonds of slavery asunder, and rule the wildness of free minds with unbounded authority; something that could establish or overwhelm empire, and strike a blow in the world that should resound through its history.”

Grattan died in 1820, and twenty years later, in 1844, another great English writer, Lord Macaulay, wrote a world-famous passage upon the great Lord Chatham in the Edinburgh Review:—­

“Chatham sleeps near the northern door of the church, in a spot which has ever since been appropriated to statesmen, as the other end of the same transept has long been to poets.  Mansfield rests there, and the second William Pitt, and Fox, and Grattan, and Canning, and Wilberforce.  In no other cemetery do so many great citizens lie within so narrow a space.  High over those venerable graves towers the stately monument of Chatham, and, from above, his effigy, graven by a cunning hand, seems still, with eagle face and outstretched arm, to bid England be of good cheer, and to hurl defiance at her foes.
“The generation which reared that memorial of him has disappeared.  The time has come when the rash and indiscriminate judgments which his contemporaries passed on his character may be calmly revised by history.  And history, while, for the warning of vehement, high, and daring natures, she notes his many errors, will yet deliberately pronounce that, among the eminent men whose bones lie near his, scarcely one has left a more stainless and none a more splendid name.”

It is a great race, Antony, that can produce a man of such a character as Chatham, and also writers who can dedicate to him such superb tributes as these.

Macaulay’s prose has been much criticised as being too near to easy journalism to be classed among the great classic passages of English; but this much must be recognised to his great credit—­he never wrote an obscure sentence or an ambiguous phrase, and his works may be searched in vain for a foreign idiom or even a foreign word.  He possessed an infallible memory, absolute perspicuity, and a scholarly taste.  He detested oppression wherever enforced, and never exercised his great powers in the defence of mean politics or unworthy practices.

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The Glory of English Prose from Project Gutenberg. Public domain.