Donna Tullia named the wedding-day, and her affianced husband departed in high spirits with himself, with her, and with his scheme. He felt still a little excited, and wanted to be alone. He hardly realised the magnitude of the plot he had undertaken, and needed time to reflect upon it; but with the true instinct of an intriguing genius he recognised at once that his new plan was the thing he had sought for long and ardently, and that it was worth all his other plans put together. Accordingly he went home, and proceeded to devote himself to the study of the question, sending a note to a friend of his—a young lawyer of doubtful reputation, but of brilliant parts, whom he at once selected as his chief counsellor in the important affair he had undertaken.
Before long he beard that the marriage of Don Giovanni Saracinesca to the Duchessa d’Astrardente was to take place the next week, in the chapel of the Palazzo Saracinesca. At least popular report said that the ceremony was to take place there; and that it was to be performed with great privacy was sufficiently evident from the fact that no invitations appeared to have been issued. Society did not fail to comment upon such exclusiveness, and it commented unfavourably, for it felt that it was being deprived of a long-anticipated spectacle. This state of things lasted for two days, when, upon the Sunday morning precisely a week before the wedding, all Rome was surprised by receiving an imposing invitation, setting forth that the marriage would be solemnised in the Basilica of the Santi Apostoli, and that it would be followed by a state reception at the Palazzo Saracinesca. It was soon known that the ceremony would be performed by the Cardinal Archpriest of St Peter’s, that the united choirs of St Peter’s and of the Sixtine Chapel would sing the High Mass, and that the whole occasion would