Cormon was the present representative had been in earlier days among the most considerable in the province.  Though belonging to the middle classes, she consorted with the nobility, among whom she was more or less allied, her family having furnished, in past years, stewards to the Duc d’Alencon, many magistrates to the long robe, and various bishops to the clergy.  Monsieur de Sponde, the maternal grandfather of Mademoiselle Cormon, was elected by the Nobility to the States-General, and Monsieur Cormon, her father, by the Tiers-Etat, though neither accepted the mission.  For the last hundred years the daughters of the family had married nobles belonging to the provinces; consequently, this family had thrown out so many suckers throughout the duchy as to appear on nearly all the genealogical trees.  No bourgeois family had ever seemed so like nobility.

The house in which Mademoiselle Cormon lived, build in Henri IV.’s time, by Pierre Cormon, the steward of the last Duc d’Alencon, had always belonged to the family; and among the old maid’s visible possessions this one was particularly stimulating to the covetous desires of the two old lovers.  Yet, far from producing revenue, the house was a cause of expense.  But it is so rare to find in the very centre of a provincial town a private dwelling without unpleasant surroundings, handsome in outward structure and convenient within, that Alencon shared the envy of the lovers.

This old mansion stands exactly in the middle of the rue du Val-Noble.  It is remarkable for the strength of its construction,—­a style of building introduced by Marie de’ Medici.  Though built of granite,—­a stone which is hard to work,—­its angles, and the casings of the doors and windows, are decorated with corner blocks cut into diamond facets.  It has only one clear story above the ground-floor; but the roof, rising steeply, has several projecting windows, with carved spandrels rather elegantly enclosed in oaken frames, and externally adorned with balustrades.  Between each of these windows is a gargoyle presenting the fantastic jaws of an animal without a body, vomiting the rain-water upon large stones pierced with five holes.  The two gables are surmounted by leaden bouquets,—­a symbol of the bourgeoisie; for nobles alone had the privilege in former days of having weather-vanes.  To right of the courtyard are the stables and coach-house; to left, the kitchen, wood-house, and laundry.

One side of the porte-cochere, being left open, allowed the passers in the street to see in the midst of the vast courtyard a flower-bed, the raised earth of which was held in place by a low privet hedge.  A few monthly roses, pinkes, lilies, and Spanish broom filled this bed, around which in the summer season boxes of paurestinus, pomegranates, and myrtle were placed.  Struck by the scrupulous cleanliness of the courtyard and its dependencies, a stranger would at once have divined that the place belonged to an old maid.