Indeed, it is difficult to describe the whimsical medley of ideas that throng upon his mind, on landing among English scenes.  He, for the first time, sees a world about which he has been reading and thinking in every stage of his existence.  The recollected ideas of infancy, youth, and manhood; of the nursery, the school, and the study, come swarming at once upon him; and his attention is distracted between great and little objects; each of which, perhaps, awakens an equally delightful train of remembrances.

But what more especially attracts his notice, are those peculiarities which distinguish an old country and an old state of society from a new one.  I have never yet grown familiar enough with the crumbling monuments of past ages, to blunt the intense interest with which I at first beheld them.  Accustomed always to scenes where history was, in a manner, in anticipation; where every thing in art was new and progressive, and pointed to the future rather than to the past; where, in short, the works of man gave no ideas but those of young existence, and prospective improvement; there was something inexpressibly touching in the sight of enormous piles of architecture, gray with antiquity, and sinking into-decay.  I cannot describe the mute but deep-felt enthusiasm with which I have contemplated a vast monastic ruin, like Tintern Abbey, buried in the bosom of a quiet valley, and shut up from the world, as though it had existed merely for itself; or a warrior pile, like Conway Castle, standing in stern loneliness on its rocky height, a mere hollow yet threatening phantom of departed power.  They spread a grand, and melancholy, and, to me, an unusual charm over the landscape; I, for the first time, beheld signs of national old age, and empire’s decay, and proofs of the transient and perishing glories of art, amidst the ever-springing and reviving fertility of nature.

But, in fact, to me every thing was full of matter; the footsteps of history were every where to be traced; and poetry had breathed over and sanctified the land.  I experienced the delightful freshness of feeling of a child, to whom every thing is new.  I pictured to myself a set of inhabitants and a mode of life for every habitation that I saw, from the aristocratical mansion, amidst the lordly repose of stately groves and solitary parts, to the straw-thatched cottage, with its scanty garden and its cherished woodbine.  I thought I never could be sated with the sweetness and freshness of a country so completely carpeted with verdure; where every air breathed of the balmy pasture, and the honey-suckled hedge.  I was continually coming upon some little document of poetry, in the blossomed hawthorn, the daisy, the cowslip, the primrose, or some other simple object that has received a supernatural value from the muse.  The first time that I heard the song of the nightingale, I was intoxicated more by the delicious crowd of remembered associations than by the melody of its notes; and I shall never forget the thrill of ecstasy with which I first saw the lark rise, almost from beneath my feet, and wing its musical flight up into the morning sky.