Their Majesties have come hither, in accordance with time-honoured custom, to be crowned in this old Cathedral of the Assumption, the central point of the Kremlin, within a stone-throw of the Cathedral of the Archangel Michael, in which lie the remains of the old Grand Dukes and Tsars of Muscovy. Already the Emperor has read aloud, in a clear, unfaltering voice, from a richly bound parchment folio, held by the Metropolitan of St. Petersburg, the Orthodox creed; and his Eminence, after invoking on his Majesty the blessing of the Holy Spirit, has performed the mystic rite of placing his hands in the form of a cross on the Imperial forehead. Thus all is ready for the most important part of the solemn ceremony. Standing erect, the Emperor doffs his small diadem and puts on with his own hands the great diamond crown, offered respectfully by the Metropolitan; then he reseats himself on his throne, holding in his right hand the Sceptre and in his left the Orb of Dominion. After sitting thus in state for a few minutes, he stands up and proceeds to crown his august spouse, kneeling before him. First he touches her forehead with his own crown, and then he places on her head a smaller one, which is immediately attached to her hair by four ladies-in-waiting, dressed in the old Muscovite Court-costume. At the same time her Majesty is invested with a mantle of heavy gold brocade, similar to those of the Emperor and Empress Dowager, lined and bordered with ermine.
Thus crowned and robed their Majesties sit in state, while a proto-deacon reads, in a loud stentorian voice, the long list of sonorous hereditary titles belonging of right to the Imperator and Autocrat of all the Russias, and the choir chants a prayer invoking long life and happiness—“Many years! Many years! Many years!”—on the high and mighty possessor of the titles aforesaid. And now begins the Mass, celebrated with a pomp and magnificence that can be witnessed only once or twice in a generation. Sixty gorgeously robed ecclesiastical dignitaries of the highest orders fulfil their various functions with due solemnity and unction; but the magnificence of the vestments and the pomp of the ceremonial are soon forgotten in the exquisite solemnising music, as the deep double-bass tones of the adult singers in the background—carefully selected for the occasion in all parts of the Empire—peal


