In the last years of serfage there were a good many landed proprietors like Victor Alexandr’itch—­men who wished to do something beneficent, and did not know how to do it.  When serfage was being abolished the majority of these men took an active part in the great work and rendered valuable service to their country.  Victor Alexandr’itch acted otherwise.  At first he sympathised warmly with the proposed emancipation and wrote several articles on the advantages of free labour, but when the Government took the matter into its own hands he declared that the officials had deceived and slighted the Noblesse, and he went over to the opposition.  Before the Imperial Edict was signed he went abroad, and travelled for three years in Germany, France, and Italy.  Shortly after his return he married a pretty, accomplished young lady, the daughter of an eminent official in St. Petersburg, and since that time he has lived in his country-house.

Though a man of education and culture, Victor Alexandr’itch spends his time in almost as indolent a way as the men of the old school.  He rises somewhat later, and instead of sitting by the open window and gazing into the courtyard, he turns over the pages of a book or periodical.  Instead of dining at midday and supping at nine o’clock, he takes dejeuner at twelve and dines at five.  He spends less time in sitting in the verandah and pacing up and down with his hands behind his back, for he can vary the operation of time-killing by occasionally writing a letter, or by standing behind his wife at the piano while she plays selections from Mozart and Beethoven.  But these peculiarities are merely variations in detail.  If there is any essential difference between the lives of Victor Alexandr’itch and of Ivan Ivan’itch, it is in the fact that the former never goes out into the fields to see how the work is done, and never troubles himself with the state of the weather, the condition of the crops, and cognate subjects.  He leaves the management of his estate entirely to his steward, and refers to that personage all peasants who come to him with complaints or petitions.  Though he takes a deep interest in the peasant as an impersonal, abstract entity, and loves to contemplate concrete examples of the genus in the works of certain popular authors, he does not like to have any direct relations with peasants in the flesh.  If he has to speak with them he always feels awkward, and suffers from the odour of their sheepskins.  Ivan Ivan’itch is ever ready to talk with the peasants, and give them sound, practical advice or severe admonitions; and in the old times he was apt, in moments of irritation, to supplement his admonitions by a free use of his fists.  Victor Alexandr’itch, on the contrary, never could give any advice except vague commonplace, and as to using his fist, he would have shrunk from that, not only from respect to humanitarian principles, but also from motives which belong to the region of aesthetic sensitiveness.