Punch, or the London Charivari, Volume 100, June 13, 1891 eBook

This eBook from the Gutenberg Project consists of approximately 37 pages of information about Punch, or the London Charivari, Volume 100, June 13, 1891.

Punch, or the London Charivari, Volume 100, June 13, 1891 eBook

This eBook from the Gutenberg Project consists of approximately 37 pages of information about Punch, or the London Charivari, Volume 100, June 13, 1891.

The Professor (on Stage).  Ladies and Gentlemen, I shall commence by an attempt to give you an imitation of that popular and favourite songster, the Thrush—­better known to some of you, I daresay, as the Throstle, or Mavis! (He gives the Thrush—­which somehow doesn’t “go.”) I shall next endeavour to represent that celebrated and tuneful singing-bird—­the Sky-lark. (He does it, but the Lark doesn’t quite come off.) I shall next try to give you those two sweet singers, the Male and Female Canary—­the gentleman in the stalls with the yellow ’air will represent the female bird on this occasion, he must not be offended, for it is a ’igh compliment I am paying him, a harmless professional joke. (The Canaries obtain but tepid acknowledgments.) I shall now conclude my illustrations of bird-life with my celebrated imitation of a waiter drawing the cork from a bottle of gingerbeer, and drinking it afterwards.

[Does so; rouses the audience to frantic enthusiasm, and retires after triple re-call.

[Illustration]

The Voluble Lady in the Shilling Stalls (during the performance of a Thrilling Melodramatic Sketch).  I’ve nothing to say against her ‘usban’, a quiet, respectable man, and always treated me as a lady, with grey whiskers—­but that’s neither here nor there—­and I speak of parties as I find them—­well.  That was a Thursday.  On the Saturday there came a knock at my door, and I answered it, and there was she, saying, as cool as you please—­(Heroine on Stage.  “Ah, no, no—­you would not ruin me?  You will not tell my husband?”) So I told her.  “I’m very sorry,” I says, “but I can’t lend that frying-pan to nobody.”  So I got up.  Two hours after, as I was going down-stairs, she come out of her room, and says,—­“’Allo, ROSE, ’ow are yer?” as if nothing had ‘appened.  “Oh, jolly,” I says, or somethink o’ that sort—­I wasn’t going to take no notice of her—­and she says, “Going out?” like that.  I says.  “Oh, yes; nothing to stay in for,” I says, careless-like; so Mrs. PIPER, she never said nothing, and I didn’t say nothing; and so it went on till Monday—­well!  Her ‘usban’ met me in the passage; and he said to me—­good-tempered and civil enough, I must say—­he said—­(Villain on Stage.  “Curse you!  I’ve had enough of this fooling!  Give me money, or I’ll twist your neck, and fling you into yonder mill-dam, to drown!”) So o’ course I’d no objection to that; and all she wanted, in the way of eatables and drink, she ’ad—­no, let me finish my story first.  Well, just fancy ’er now!  She asked me to step in; and she says, “Ow are you?” and was very nice, and I never said a word—­not wishing to bring up the past, and—­I didn’t tell you this—­they’d a kind of old easy chair in the room—­and the only remark I made, not meaning anythink, was—­(Hero

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Punch, or the London Charivari, Volume 100, June 13, 1891 from Project Gutenberg. Public domain.