The injustice of this refusal fired Sebastian with the determination to get possession of the coveted book at all costs.  One moonlight night, long after every one had retired, he decided to put into execution a project he had dreamed of for some time.

Creeping noiselessly down stairs he stood before the bookcase and sought the precious volume.  There it was with the names of the various musicians printed in large letters on the back in his brother’s handwriting.  To get his small hands between the bars and draw the book outward took some time.  But how to get it out.  After much labor he found one bar weaker than the others, which could be bent.

When at last the book was in his hands, he clasped it to his breast and hurried quickly back to his chamber.  Placing the book on a table in front of the window, where the moonlight fell full upon it, he took pen and music paper and began copying out the pieces in the book.

This was but the beginning of nights of endless toil.  For six months whenever there were moonlight nights, Sebastian was at the window working at his task with passionate eagerness.

At last it was finished, and Sebastian in the joy of possessing it for his very own, crept into bed without the precaution of putting away all traces of his work.  Poor boy, he had to pay dearly for his forgetfulness.  As he lay sleeping, Christoph, thinking he heard sounds in his brother’s room, came to seek the cause.  His glance, as he entered the room, fell on the open books.  There was no pity in his heart for all this devoted labor, only anger that he had been outwitted by his small brother.  He took both books away and hid them in a place where Sebastian could never find them.  But he did not reflect that the boy had the memory of all this beautiful music indelibly printed on his mind, which helped him to bear the bitter disappointment of the loss of his work.

When he was fifteen Sebastian left his brother’s roof and entered the Latin school connected with the Church of St. Michael at Lueneburg.  It was found he had a beautiful soprano voice, which placed him with the scholars who were chosen to sing in the church service in return for a free education.  There were two church schools in Lueneburg, and the rivalry between them was so keen, that when the scholars sang in the streets during the winter months to collect money for their support, the routes for each had to be carefully marked out, to prevent collision.

Soon after he entered St. Michael’s, Bach lost his beautiful soprano voice; his knowledge of violin and clavier, however, enabled him to keep his place in the school.  The boy worked hard at his musical studies, giving his spare time to the study of the best composers.  He began to realize that he cared more for the organ than for any other instrument; indeed his love for it became a passion.  He was too poor to take lessons, for he was almost entirely self-dependent—­a penniless scholar, living on the plainest of fare, yet determined to gain a knowledge of the music he longed for.