Punch, Or The London Charivari, Volume 101, July 11, 1891 eBook

This eBook from the Gutenberg Project consists of approximately 43 pages of information about Punch, Or The London Charivari, Volume 101, July 11, 1891.

Punch, Or The London Charivari, Volume 101, July 11, 1891 eBook

This eBook from the Gutenberg Project consists of approximately 43 pages of information about Punch, Or The London Charivari, Volume 101, July 11, 1891.

Belated Orator (perorating to an embarrassed stranger on a seat before him, under a muddled impression that he is addressing a spell-bound multitude).  I tell yer—­yes, hevery man, and hevery woman among yer—­(Here he bends forward, and touches his hearer’s right and left elbow impressively) don’t you go away under the impression I’m talking of what I don’t understan’! (The Stranger shifts his leg and looks another way.) I speak sense, don’t I? You never ‘eard nothin’ like this afore, any of yer, ’ave yer?  That’s because I read between the lines! (Waving his arm wildly.) An’ I want heach man and boy of you to ’member my words, and hact upon them when the time comes!

    [Here he staggers off with a proud and exalted air, to the
    immense relief of his hearer.

A Professional Pietist (with a modest working capital of one hymn and a nasal drone).  “My richest gynes” ... (To Charitable Passer.  A copper, Sir? bless your kind ’art!) “I cayount” ... (Examining it. A bloomin’ French ‘ap’ny!) ... “but loss; And pour contemp’” ... (Call yerself a Christian gen’lman, yer—­&c.) ... “on a—­a—­ll my proide!”

    (Here the Reader will probably have had enough of it.)

* * * * *

A REAL TREAT.—­Advice to Covent-gardeners.—­If Carmen is to be done again this season with the same cast as it had on Saturday last, no one who cares for an exceptionally first-rate performance should miss this opera-tunity.  There is no better representative of Carmen than Mlle. ZELIE DE LUSSAN,—­how can there be, since the Spanish Gipsy heroine of the plot is herself a Loose ’un?  Madame MELBA was charming as Mickie Ella, the Irish girl in Spain.  M. LASSALLE appeared as Escamillo. the bull-fighter, in a novel, and doubtless a correct, costume, and his great Toreador song was vociferously encored.  Then, finally, JEAN DE RESKE, who made of the usually idiotic Don Jose a fine acting as well as a fine singing part.  It drew a big house, and would have been a pretty dish to set before an Emperor on Wednesday, if, on that occasion, the Opera itself were the only consideration.

* * * * *

THE FIRE KING’S ABDICATION.

[Illustration]

  “My palate is parched with Pierian thirst,
    Away to Parnassus I’m beckoned.” 
  I sing of the glories of Fire King the First! 
    (Who’s fit to be Fire King the Second?)

  Captain EYRE MASSEY SHAW is a “Sovereign” indeed,
    Abdicating?  Alas! that too true is;
  For he’s a Fire King of a different breed
    From the Monarch described by MONK LEWIS.

  No mere King of Flames, fiery-faced a la SKELT,
    Inhabiting regions most torrid,
  With a breath that is warranted copper to melt,
    And eyes indescribably horrid.

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Punch, Or The London Charivari, Volume 101, July 11, 1891 from Project Gutenberg. Public domain.