* * * * *
SONGS BY A CYNIC.
LOVE.
What’s Love, and all that Love can
bring,
Youth’s earliest illusion:
What tender words she used to sing,
And blush with sweet confusion.
How you would hang upon each word,
When under spells of Cupid;
When half she said was most absurd,
And all extremely stupid.
You loved her for her hair of gold.
Unwitting that she dyed it;
She vowed her love could ne’er grow
cold,
Though Time had never tried
it.
Your worship came to such a pass,
That, when you calmly view
it,
You feel you were an utter ass,
Though then you never knew
it.
What happened? Why, the usual thing:
While round her you would
linger,
Her love was fragile as the ring
You bought to grace her finger.
She went off with another man,
And so you had to sever:
Thus women since the world began
Have done, and will do ever.
* * * * *
REVELATIONS OF A REVELLER.
I revelled at the Albert Hall, which last week was given up to a festival called “The Coming Race.” I was there at the opening on Thursday, the 5th, when Princess BEATRICE, attended by her husband, Prince HENRY of Battenberg, declared the Bazaar open. A gay and festive scene. Here, there, and everywhere, Egyptian houses made of cardboard, containing stalls full of the most useful articles imaginable. On the dais, a number of sweet-faced ladies presenting purses (containing L3 3s. and upwards) to the Princess, who received them with an affability which won the hearts of all beholders. On the floor of the building was a gaily-dressed throng, which included many a distinguished person. The revelry continued for three days, and was, I trust, the means of obtaining funds for a charity which, no doubt, is most deserving of support. And here, I may say, I revelled so much at the Albert Hall, that I had no desire to revel anywhere else.
* * * * *
FETE OR FATE?
OR, HOPPERS IN COVENT GARDEN, MARCH 4TH.
(BY MR. PUNCH’S OWN IMPRESSIONIST.)
Lights and bouquets—flush and
flare—
Motley medley—splash affair—
Deft disguises—flute and fife—
Half the world without his wife—
Dominos, and masks, and faces—
Graces three—and three Disgraces.
Jacks-in-boxes—tambour-majors—
Janes in office—ancient stagers—
REYNOLDS’ Duchess—Shepherdesses;
(Burlington) Arcadian tresses—
Primrose damsels,—clowns and
follies,—
Organ-grinders—Flemish dollies—
Macaronis, rather muddy,
Of the central stud a study—
England’s mashers, Afric’s
dark sons—
NATHAN’s stock-in-trade and CLARKSON’s—
All costumes not apt the back to,
Some of them inclined to crack too—
Martyred revellers in upper
Rooms, and singing for their supper.
Bright confusion—many a mad
hunt—
Five o’clock—and wish
I hadn’t.


