The Brain and the Voice in Speech and Song eBook

This eBook from the Gutenberg Project consists of approximately 79 pages of information about The Brain and the Voice in Speech and Song.

The Brain and the Voice in Speech and Song eBook

This eBook from the Gutenberg Project consists of approximately 79 pages of information about The Brain and the Voice in Speech and Song.
give my reasons later for supposing that the whole brain is in action.  During the voluntary recall of words in speech and thought by virtue of the intimate association tracts connecting the grey matter of the whole speech zone, it is not a single part of this zone which is in action, but the whole of it; and when we assign to definite parts of the speech zone different functions in connection with language, we really refer to areas in which the process is most active or is primarily initiated, for the whole brain is in action just as it is in the recognition of an object which we see, hear, feel, or move.  What really comes before us is contributed more by the mind itself than by the present object.

There is, however, a direct functional association between the auditory and glosso-kinaesthetic (sense of movement of the tongue) centres on the one hand and the visual and cheiro-kinaesthetic (sense of movement of the hand) on the other.  No less intimate must be the connection between the auditory word-centre and the visual word-centre; they must necessarily be called into association actively in successive units of time, as in reading aloud or writing from dictation.  Educated deaf mutes think with revived visual symbols either of lips or fingers.  Words are to a great extent symbols whereby we carry on thought, and thinking becomes more elaborate and complex as we rise in the scale of civilisation, because more and more are verbal symbols instituted for concrete visual images.

In which portion of the brain are words primarily and principally revived during the process of thinking?  I have already alluded to the views of Stricker and those who follow him, viz. that words are the revived images of the feelings of the sense of movement, caused by the alteration in the tension of the muscles of articulation occurring during speech, with or without phonation.  There is another which I think the correct view, that words are revived in thought primarily as auditory images, so that the sense of hearing is essential for articulation as well as phonation; the two operations of the vocal organ as an instrument of the mind being inseparable.  The arguments in favour of this are:—­

1.  The part of the brain concerned with the sense of hearing develops earlier and the nerve fibres found in this situation are myelinated[1] at an earlier period of development of the brain than the portion connected with the sense of movement of the muscles of articulation.

[Footnote 1:  The covering of the fibres by a sheath of phosphoretted fat serving to insulate the conductile portion of the nerve is an indication that the fibre has commenced to function as a conductor of nervous impulses.]

2.  As a rule, the child’s first ideas of language come through the sense of hearing; articulate speech is next evolved, in fact the child speaks only that which it has heard; it learns first to repeat the names of persons and objects with which it comes into relation, associating visual images with auditory symbols.

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The Brain and the Voice in Speech and Song from Project Gutenberg. Public domain.