The accompanying illustrations represent the different formalities that are observed at the performance of the ‘Hara Kiru’ by a Daimio.

On receiving the official intimation of his sentence, he orders the necessary preparations to be made, and informs his friends and relatives of it, inviting them to share in a parting carouse with him.

On the appointed day, after taking a private farewell of his family, he receives his friends.  He is habited in his white robes, and supported by two of his relatives or ministers, similarly attired.  When the time arrives (which is previously arranged with the commissioners) he takes leave of the guests, as on any ordinary occasion, and enters the screened enclosure, accompanied by his supporters.  It will be noticed, that the retainers guarding the exterior and entrance are barefooted, which is a mark of respect in honour of the rank of the culprit, and of the solemnity of the occasion.

The Tycoon’s messengers then read the imperial mandate, which proclaims that, in accordance with the ancient custom of the country, the Daimio is permitted honourably to sacrifice himself for its benefit, and thus to expiate in his own person the crime or offence he has committed against the welfare of the state.  In the illustration, the two officials charged with this disagreeable office are sitting opposite the Daimio and his friends, reading the fatal document, their suite surrounding them in respectful attitudes.

The whole party wear the official dress, which intimates at once the respect due to the victim and the official nature of the ceremony.

The second scene shows the Daimio on the point of performing the sacrificial ceremony.  His forelock is reversed, as a sign of submission to his fate, and to assist the executioner, who, as soon as his master goes through the form of disembowelling himself with the knife on the stand, will, with one blow of his razor-edged sword, complete the sacrifice by decapitation.  Only the two chief commissioners appointed by the Tycoon, and the sorely-tasked supporters of the victim, remain to witness the last act of the drama.  The rest of the party await its completion in the adjoining compartment of the enclosure, which is expressly constructed for that purpose.

The funeral procession, which is the subject of the next scene, is accompanied by all the pomp indicative of the high position of the deceased.  The mourners wear robes of white cloth, and all the feudal paraphernalia are draped with the same material; which, as before mentioned, is used in Japanese mourning.  The coffin is carried near the head of the procession; it is a square box of resinous wood, covered over with white, and the body is placed in it in a sitting posture.

[Illustration:  The sacrifice.]

[Illustration:  A Daimio’s funeral.]

[Illustration:  Cremation of the body.]