The Scapegoat; a romance and a parable eBook

This eBook from the Gutenberg Project consists of approximately 371 pages of information about The Scapegoat; a romance and a parable.

The Scapegoat; a romance and a parable eBook

This eBook from the Gutenberg Project consists of approximately 371 pages of information about The Scapegoat; a romance and a parable.

But one of them was a song of pure and true passion that seemed to be the yearning cry of a hungering, unfilled, unsatisfied heart to call down love out of the skies, or else be carried up to it.  This had been a favourite song of Naomi’s mother, and it was from Ruth that Fatimah had learned it in those anxious watches of the early uncertain days when she sang it over the cradle to her babe that was deaf after all and did not hear.  Naomi knew nothing of this, but she heard her mother’s song at last, though silent were the lips that first sang it, and it was her chief and dear delight.

     O, where is Love? 
     Where, where is Love? 
     Is it of heavenly birth? 
     Is it a thing of earth? 
     Where, where is Love?

In her crazy, creechy voice the black woman would sing the song, when Israel was out of hearing; and the joy Naomi found in it, and the simple silent arts she used, being mute and blind, to show her pleasure while it lasted, and to ask for it again when it was done, were very sweet and touching.

And so it came about at last, that even as the human mother loves that child most among many children that most is helpless, so the earth-mother of Naomi made her ears more keen because her eyes were blind.  Thus she seemed to hear many things that are unheard by the rest of the human family.  It is only a dim echo of the outer world that the ears of men are allowed to hear, just as it is only a dim shadow of the outer world that the eyes of men are allowed to see; but the ears of Naomi seemed to hear all.

There is one hearing of men, and another hearing of the beasts, and a third of the birds, and one hearing differs from another in keenness even as one sight differs from another in strength.  And all the earth is full of voices, and everything that moves upon the face of it has its sound; but the bird hears that which is unheard of the beast, and the beast hears that which is unheard of men.  But Naomi appeared to hear all that is heard of each.

Listening hour after hour, listening always, listening only, with nothing that she could do but listen, nothing moved on the ground but she dropped her face, and nothing flew in the sky but she lifted her eyes.  And whereas before the coming of her great gift her face had been all feeling, and she seemed to feel the sunset, and to feel the sky, and to feel the thunder and the light, now her face was all hearing, and her whole body seemed to hear, for she was like a living soul floating always in a sea of sound.

Thus, day after day, she was busy in her silence and in her darkness, building up notions of man and of the world by the new gift with which God had gifted her; but what strange thing the earth was to her then, what the sun was with its warmth, and what the sea was with its roar, and what the face of man was, and the eyes of woman, none could know, and neither could she tell, for her soul was not linked to other souls—­soul to soul, in the chains of speech.

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The Scapegoat; a romance and a parable from Project Gutenberg. Public domain.