The Art of the Moving Picture eBook

This eBook from the Gutenberg Project consists of approximately 223 pages of information about The Art of the Moving Picture.

The Art of the Moving Picture eBook

This eBook from the Gutenberg Project consists of approximately 223 pages of information about The Art of the Moving Picture.

Wizards and astronomers were one when the angels sang in Bethlehem, “Peace on Earth, Good Will to Men.”  There came magicians, saying, “Where is he that is born king of the Jews, for we have seen his star in the east and have come to worship him?” The modern world in its gentler moments seems to take a peculiar thrill of delight from these travellers, perhaps realizing what has been lost from parting with such gentle seers and secular diviners.  Every Christmas half the magazines set them forth in richest colors, riding across the desert, following the star to the same manger where the shepherds are depicted.

Those wizard kings, whatever useless charms and talismans they wore, stood for the unknown quantity in spiritual life.  A magician is a man who lays hold on the unseen for the mere joy of it, who steals, if necessary, the holy bread and the sacred fire.  He is often of the remnant of an ostracized and disestablished priesthood.  He is a free-lance in the soul-world, owing final allegiance to no established sect.  The fires of prophecy are as apt to descend upon him as upon members of the established faith.  He loves the mysterious for the beauty of it, the wildness and the glory of it, and not always to compel stiff-necked people to do right.

It seems to me that the scientific and poetic functions of society should make common cause again, if they are not, as in Merlin’s time, combined in one personality.  They must recognize that they serve the same society, but with the understanding that the prophetic function is the most important, the wizard vocation the next, and the inventors’ and realists’ genius important indeed, but the third consideration.  The war between the scientists and the prophet-wizards has come about because of the half-defined ambition of the scientists to rule or ruin.  They give us the steam-engine, the skyscraper, the steam-heat, the flying machine, the elevated railroad, the apartment house, the newspaper, the breakfast food, the weapons of the army, the weapons of the navy, and think that they have beautified our existence.

Moreover some one rises at this point to make a plea for the scientific imagination.  He says the inventor-scientists have brought us the mystery of electricity, which is no hocus-pocus, but a special manifestation of the Immanent God within us and about us.  He says the student in the laboratory brought us the X-ray, the wireless telegraph, the mystery of radium, the mystery of all the formerly unharnessed power of God which man is beginning to gather into the hollow of his hand.

The one who pleads for the scientific imagination points out that Edison has been called the American Wizard.  All honor to Edison and his kind.  And I admit specifically that Edison took the first great mechanical step to give us the practical kinetoscope and make it possible that the photographs, even of inanimate objects thrown upon the mirror-screen, may become celestial actors.  But the final phase of

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The Art of the Moving Picture from Project Gutenberg. Public domain.