drawing by Garrett and an autograph verse by Roswell and myself; the seventy others will be printed on white hand-made paper, and will have no unique feature.  All the copies will be handsomely illustrated in vignette by Garrett; the sum of $2,500 has been expended for illustrations alone.  The book will be, I think, the handsomest of the kind ever printed in America.”  After the special edition had been printed, the plates of this book were most generously transferred to Field by Mr. Wilson.

The fact that Field was far from being a healthy man crops out in all his correspondence about this time.  Writing to Mr. Gray under date of December 12th, 1891, I find him saying: 

Just at present I am quite overwhelmed with work in the throes of a Christmas story for the Daily News, my only story this year, although I have had many applications for verse and prose.  I have promised a story to the Christian Union next Christmas.  I have delayed answering the letter you wrote to me some time ago, in the hope that I should see my way clear to accepting your invitation.  Alas!  I think it will be some time yet before I can visit St. Louis.  I am not well yet, and I actually dread going from home whilst feeling ill.  I improve in health, but the improvement is slow.  I am trying to abandon the tobacco habit.  I find it a hard, hard struggle.

  Affectionately yours,

  EUGENE FIELD.

By the time this letter was written, Field’s Christmas stories commanded almost any price in reason he was inclined to ask for them—­a condition far different from that which provoked his wrath and scorn in the winter of 1886.  That year his Christmas contribution to the Morning News was “The Symbol and the Saint”—­a story upon which he expended a good month’s spare time.  In the same issue were contributions from every member of the staff, excepting myself.  In the course of time each story-writer received the munificent sum of $15, the author of the “Symbol and the Saint” the same as the reporter, who turned in the thinnest, flimsiest sort of a sketch.  It was a case of levelling all down to a common standard, which Field did not relish.  He felt keenly the injustice of estimating the carefully finished product of his month’s labor at the same rate as the hurried and rough journeyman work of a local hand, which had not cost more than an hour, all told, in its conception and composition.  “I think,” he wrote privately to Cowen, under date of January the 9th, 1887, “that things have come to a sweet pass when my work, over which I have toiled for more than three weeks, is to be estimated at the same rate as the local hands.”  He registered no complaint to headquarters at the time, but consoled himself with executing the following touching sketeh and epitaph: 

[Illustration:  SKETCH AND EPITAPH. From a drawing by Eugene Field.

  Here lies a mass of mouldering clay
      Who sought in youth a path to glory,
  But dies of age—­without his pay
      For writing of a Christmas story