I know that many in France blamed this expense as quite unnecessary. But the Queen said she had done it to show other nations that France was not so totally ruined and poverty-stricken by reason of her recent wars as was supposed; and that, since she was able to spend so much for frivolity, she would be able to do far more for affairs of consequence and importance; and that France was all the more to be esteemed and feared, whether through the sight of so much wealth and richness, or the spectacle of so great an array of gentlemen, so brave and adroit at arms—for certainly there was a goodly number and worthy to be admired. And so it was for good and sufficient reason that our most Christian Queen made this splendid festival; for be assured that if she had not done so, the visitors would have derided us and returned home with a poor opinion of France.
A third exceedingly fine entertainment was given by her on the arrival of the Polish envoys in Paris, whom she dined superbly at the Tuileries; and afterwards in a grand ball-room made especially for the spectacle and entirely enclosed by a countless number of torches, she presented the most beautiful ballet ever seen on earth (if I may say so), which comprised sixteen ladies and demoiselles who were best suited to it. They appeared in a great grotto of silver, being seated in niches and clad as though in vapour about its sides. These sixteen ladies represented the sixteen provinces of France, with the most melodious music possible; and after having made, in this grotto, the round of the hall like a review of troops, giving an opportunity for all to see them, they descended from the grotto and formed themselves into a little company fantastically arranged, while an orchestra of thirty violins discoursed sweet music, and marched to the melody of these violins by a beautiful dance step, approaching and halting before their majesties. After this they danced their ballet, so fantastically invented, with so many turns and convolutions, twinings and twistings, in


