The German Classics of the Nineteenth and Twentieth Centuries, Volume 05 eBook

This eBook from the Gutenberg Project consists of approximately 605 pages of information about The German Classics of the Nineteenth and Twentieth Centuries, Volume 05.

The German Classics of the Nineteenth and Twentieth Centuries, Volume 05 eBook

This eBook from the Gutenberg Project consists of approximately 605 pages of information about The German Classics of the Nineteenth and Twentieth Centuries, Volume 05.

It looked quite deserted.  The merry company had departed, and were sauntering toward Rome, each lad with his lass upon his arm.  We could hear them talking and laughing among the vineyards in the quiet evening, until at last their voices died away in the valley below, lost in the rustling of the trees and the murmur of the stream.  I stayed with my painter and Herr Eckbrecht, which was the name of the other young painter who had been quarreling with the maid.  The moon shone brilliantly through the tall, dark evergreens; a candle on the table before us flickered in the breeze and gleamed over the wine spilled copiously around it.  I had to sit down with my companions, and my painter chatted with me about my native village, my travels, and my plans for the future.  Herr Eckbrecht had seated upon his knee the pretty girl who had brought us our wine, and was teaching her the accompaniment of a song on the guitar.  Her slender fingers soon picked out the correct chords, and they sang together an Italian song; first he sang a verse, and then the girl sang the next; it sounded deliciously, in the clear, bright evening.  When the girl was called away, Herr Eckbrecht, taking no further notice of us, leaned back on his bench with his feet on a low stool and played and sang many an exquisite song.  The stars glittered; the landscape turned to silver in the moonlight; I thought of the Lady fair, and of my far-off home, and quite forgot the painter at my side.  Herr Eckbrecht had occasionally to tune his instrument; whereat he grew downright angry, and at last he screwed a string so tight that it broke, whereupon he tossed aside the guitar and sprang to his feet, noticing for the first time that my painter had laid his head on his arm upon the table and was fast asleep.  He hastily wrapped around him a white cloak which hung on a bough near by, then suddenly paused, glanced keenly at my painter, and then at me several times, then seated himself on the table directly in front of me, cleared his throat, settled his cravat, and instantly began to hold forth to me.  “Beloved hearer and fellow-countryman,” he said, “since the bottles are nearly empty, and morality is indisputably the first duty of a citizen when the virtues are on the wane, I feel myself moved, out of sympathy for a fellow-countryman, to present for your consideration a few moral axioms.  It might be supposed,” he went on, “that you are a mere youth, whereas your coat has evidently seen its best years; it might be supposed that you had leaped about like a satyr; nay, some might maintain that you are a vagabond, because you are out here in the country and play the fiddle; but I am influenced by no such superficial considerations; I form my judgment on your delicately chiseled nose; I take you for a strolling genius.”  His ambiguous phrases irritated me; I was about to retort sharply.  But he gave me no chance to speak.  “Observe,” he said, “how you are puffed up by a modicum of praise.  Retire within yourself and ponder

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The German Classics of the Nineteenth and Twentieth Centuries, Volume 05 from Project Gutenberg. Public domain.