“The battle o’er, the sable
youth descend,
And to the awful chief, their footsteps
bend.
With a small book, the laurel wreath he
gives
Join’d with a pow’r to use
it all their lives.
Obsequious, they return what they receive,
With decent rev’rence, they his
presence leave.
Dismiss’d, they strait repeat their
back ward way
And with white napkins grace the sumptuous
day.[06]
“Now plates unnumber’d on
the tables shine,
And dishes fill’d invite the guests
to dine.
The grace perform’d, each as it
suits him best,
Divides the sav’ry honours of the
feast,
The glasses with bright sparkling wines
abound
And flowing bowls repeat the jolly round.
Thanks said, the multitude unite their
voice,
In sweetly mingled and melodious noise.
The warbling musick floats along the air,
And softly winds the mazes of the ear;
Ravish’d the crowd promiscuously
retires,
And each pursues the pleasure he admires.
“Behold my muse far distant on the plains, Amidst a wrestling ring two jolly swains; Eager for fame, they tug and haul for blood, One nam’d Jack Luby, t’ other Robin Clod, Panting they strain, and labouring hard they sweat, Mix legs, kick shins, tear cloaths, and ply their feet. Now nimbly trip, now stiffly stand their ground, And now they twirl, around, around, around; Till overcome by greater art or strength, Jack Luby lays along his lubber length. A fall! a fall! the loud spectators cry, A fall! a fall! the echoing hills reply.
“O’er yonder field in wild confusion
runs,
A clam’rous troop of Affric’s
sable sons,
Behind the victors shout, with barbarous
roar,
The vanquish’d fly with hideous
yells before,
The gloomy squadron thro’ the valley
speeds
Whilst clatt’ring cudgels rattle
o’er their heads.
“Again to church the learned tribe repair,
Where syllogisms battle in the air,
And then the elder youth their second
laurels wear.
Hail! Happy laurels! who our hopes
inspire,
And set our ardent wishes all on fire.
By you the pulpit and the bar will shine
In future annals; while the ravish’d
nine
Will in your bosom breathe caelestial
flames,
And stamp Eternity upon your names.
Accept my infant muse, whose feeble wings
Can scarce sustain her flight, while you
she sings.
With candour view my rude unfinish’d
praise
And see my Ivy twist around your
bayes.
So Phidias by immortal Jove
inspir’d,
His statue carv’d, by all mankind
admir’d.
Nor thus content, by his approving nod,
He cut himself upon the shining god.
That shaded by the umbrage of his name,
Eternal honours might attend his fame.”
In his almanacs, Nathaniel Ames was wont to insert, opposite the days of Commencement week, remarks which he deemed appropriate to that period. His notes for the year 1764 were these:—


