The morality of their compositions is determined by the same circumstances.  Those themes are necessarily chosen by the bard, which regard the favourite exploits of the hearers; and he celebrates only those virtues, which from infancy he has been taught to admire.  Hence, as remarked by Lesley, the music and songs of the borders were of a military nature, and celebrated the valour and success of their predatory expeditions.  Razing, like Shakespeare’s pirate, the eighth commandment from the decalogue, the minstrels praised their chieftains for the very exploits, against which the laws of the country denounced a capital doom.—­An outlawed freebooter was to them a more interesting person, than the King of Scotland exerting his power to punish his depredations; and, when the characters are contrasted, the latter is always represented as a ruthless and sanguinary tyrant.—­Spenser’s description of the bards of Ireland applies in some degree, to our ancient border poets.  “There is, among the Irish, a certain kinde of people, called bardes, which are to them instead of poets; whose profession is to set forth the praises or dispraises of men, in their poems or rhymes; the which are had in such high regard or esteem amongst them, that none dare displease them, for fear of running into reproach through their offence, and to be made infamous in the mouths of all men; for their verses are taken up with a general applause, and usually sung at all feasts and meetings, by certain other persons, whose proper function that is, who also receive, for the same, great rewardes and reputation amongst them.”  Spenser, having bestowed due praise upon the poets, who sung the praises of the good and virtuous, informs us, that the bards, on the contrary, “seldom use to chuse unto themselves the doings of good men for the arguments of their poems; but whomsoever they finde to be most licentious of life, most bold and lawless in his doings, most dangerous and desperate in all parts of disobedience, and rebellious disposition, him they set up and glorify in their rhythmes; him they praise to the people, and to young men make an example to follow.”—­Eudoxus—­“I marvail what kind of speeches they can find, or what faces they can put on, to praise such bad persons, as live so lawlessly and licentiously upon stealths and spoyles, as most of them do; or how they can think, that any good mind will applaud or approve the same.”  In answer to this question, Irenaeus, after remarking the giddy and restless disposition of the ill educated youth of Ireland, which made them prompt to receive evil counsel, adds, that such a person, “if he shall find any to praise him, and to give him any encouragement, as those bards and rhythmers do, for little reward, or a share of a stolen cow[60], then waxeth he most insolent, and half-mad, with the love of himself and his own lewd deeds.  And as for words to set forth such lewdness, it is not hard for them to give a goodly and painted show thereunto,