“Well, it’s done now,” Luck dismissed the accident stoically.  “Lucky I started in on those costume and make-up tests of all you fellows, and that scene of your wife’s.  And if I’d used the other half barrel instead of this five-gallon keg for a start-off, I’d have spoiled the whole bunch.  I’ll have to throw out all that developer.  Blast the luck!  Well, let’s get busy.”  He pulled out the keg and held it up for another disgusted look.  “I won’t bother fixing that at all.  Call Happy and Bud back, will you, and have them roll this barrel of developer out and ditch it?  And then take those two half barrels you were going to fix, and wrap them with clothesline,—­that cotton line on one of the trunks,—­and knock off all the hoops.  I’m going to beat it to ’Querque and see if that stuff’s there.  We’ll try developing the rest this evening, after I get back.  Darn such luck!”

The five thousand feet of negative had not arrived, but there was a letter from the company saying that they had shipped it.  Luck, bone-tired and cold from his fifteen-mile drive across the unsheltered mesa, turned away from the express office, debating whether to wait for the film or go back to the ranch.  It would be a pretty cold drive back, in the edge of the evening and facing that raw wind; he decided that he would save time by waiting here in town, since he could not go on with his picture without more negative.  He turned back impulsively, put his head in at the door of the express office, and called to the clerk: 

“When do you get your next express from the East, brother?  I’ll wait for that negative if you think it’s likely to come by to-morrow noon or there-abouts.”

“Might come in on the eight o’clock train to-night, or to-morrow morning.  You say it was shipped the sixteenth?  Ought to be here by morning, sure.”

“I’ll take a chance,” Luck said half to himself, and closed the door.

A round-shouldered, shivering youth, who had been leaning apathetically against the side of the building, moved hesitatingly up to him.  “Say, do I get it right that you’re in the movies?” he inquired anxiously.  “Heard you mention looking for negative.  Haven’t got a job for a fellow, have you?”

Luck wheeled and looked him over, from his frowsy, soft green beaver hat with the bow at the back, to his tan pumps that a prosperous young man would have thrown back in the closet six weeks before, as being out of season.  The young man grinned his understanding of the appraisement, and Luck saw that his teeth were well-kept, and that his nails were clean and trimmed carefully.  He made a quick mental guess and hit very close to the fellow’s proper station in life and his present predicament.

“What end of the business do you know?” he asked, turning his face toward the warmth of the hotel.

“Operator.  Worked two years at the Bijou in Cleveland.  I’m down on my luck now; thought I’d try the California studios, because I wanted to learn the camera, and I figured on getting a look at the Fair.  I stalled around out there till my money gave out, and then I started back to God’s country.”  He shrugged his shoulders cynically.  “This is about as far as I’m likely to get, unless I can learn to do without eating and a few other little luxuries,” he summed up the situation grimly.