She opened the door herself; and her welcome was divine. Her gestures spoke, delicate, and yet robust in their candour. But she was in deep mourning.
“Oh!” he said, holding her. “You’re wearing black, then.”
“Of course!” she answered sweetly. “You see, I had to be there all through the funeral. And father would have been frightfully shocked if I hadn’t been in black—naturally.”
“Of course!” he agreed. It was ridiculous that he should be surprised and somewhat aggrieved to find her in mourning; still, he was surprised and somewhat aggrieved.
“Besides——” she added vaguely.
And that ‘besides’ disquieted him, and confirmed his grievance. Why should she wear mourning for a woman to whom she was not related, whom she had known simply as a charwoman, and who had forced her to leave her father’s house? There was no tie between Marguerite and her stepmother. George, for his part, had liked the dead woman, but Marguerite had not even liked her. No, she was not wearing black in honour of the dead, but to humour the living. And why should her father be humoured? George privately admitted the unreasonableness, the unsoundness, of these considerations—obviously mourning wear was imperative for Marguerite—nevertheless they were present in his mind.
“That frock’s a bit tight, but it suits you,” he said, advancing with her into the studio.
“It’s an old one,” she smiled.
“An old one?”
“It’s one I had for mother.”
He had forgotten that she had had a mother, that she had known what grief was, only a very few years earlier. He resented these bereavements and the atmosphere which they disengaged. He wanted a different atmosphere.
“Is the exam. really all right?” she appealed to him, taking both his hands and leaning against him and looking up into his face.
“What did I tell you in my letter?”
“Yes, I know.”
“The exam. is as right as rain.”