saw them in the flesh, and know not even their names?
There is a nisus, a straining in the dull dumb economy
of things, in virtue of which some, whether they will
it and know it or no, are more likely to live after
death than others, and who are these? Those
who aimed at it as by some great thing that they would
do to make them famous? Those who have lived
most in themselves and for themselves, or those who
have been most ensouled consciously, but perhaps better
unconsciously, directly but more often indirectly,
by the most living souls past and present that have
flitted near them? Can we think of a man or woman
who grips us firmly, at the thought of whom we kindle
when we are alone in our honest daw’s plumes,
with none to admire or shrug his shoulders, can we
think of one such, the secret of whose power does not
lie in the charm of his or her personality—that
is to say, in the wideness of his or her sympathy
with, and therefore life in and communion with other
people? In the wreckage that comes ashore from
the sea of time there is much tinsel stuff that we
must preserve and study if we would know our own times
and people; granted that many a dead charlatan lives
long and enters largely and necessarily into our own
lives; we use them and throw them away when we have
done with them. I do not speak of these, I do
not speak of the Virgils and Alexander Popes, and
who can say how many more whose names I dare not mention
for fear of offending. They are as stuffed birds
or beasts in a museum; serviceable no doubt from a
scientific standpoint, but with no vivid or vivifying
hold upon us. They seem to be alive, but are
not. I am speaking of those who do actually live
in us, and move us to higher achievements though they
be long dead, whose life thrusts out our own and overrides
it. I speak of those who draw us ever more towards
them from youth to age, and to think of whom is to
feel at once that we are in the hands of those we
love, and whom we would most wish to resemble.
What is the secret of the hold that these people
have upon us? Is it not that while, conventionally
speaking, alive, they most merged their lives in,
and were in fullest communion with those among whom
they lived? They found their lives in losing
them. We never love the memory of anyone unless
we feel that he or she was himself or herself a lover.
I have seen it urged, again, in querulous accents, that the so-called immortality even of the most immortal is not for ever. I see a passage to this effect in a book that is making a stir as I write. I will quote it. The writer says:—
“So, it seems to me, is the immortality we so glibly predicate of departed artists. If they survive at all, it is but a shadowy life they live, moving on through the gradations of slow decay to distant but inevitable death. They can no longer, as heretofore, speak directly to the hearts of their fellow-men, evoking their tears or laughter, and all the pleasures, be they sad or merry, of which imagination


