One evening it was occupied.

It was on a Saturday, a day on which the English make all haste to amuse themselves before the ennui of Sunday.  The hall was full.

We say hall.  Shakespeare for a long time had to use the yard of an inn for a theatre, and he called it hall.

Just as the curtain rose on the prologue of “Chaos Vanquished,” with Ursus, Homo, and Gwynplaine on the stage, Ursus, from habit, cast a look at the audience, and felt a sensation.

The compartment for the nobility was occupied.  A lady was sitting alone in the middle of the box, on the Utrecht velvet arm-chair.  She was alone, and she filled the box.  Certain beings seem to give out light.  This lady, like Dea, had a light in herself, but a light of a different character.

Dea was pale, this lady was pink.  Dea was the twilight, this lady, Aurora.  Dea was beautiful, this lady was superb.  Dea was innocence, candour, fairness, alabaster—­this woman was of the purple, and one felt that she did not fear the blush.  Her irradiation overflowed the box, she sat in the midst of it, immovable, in the spreading majesty of an idol.

Amidst the sordid crowd she shone out grandly, as with the radiance of a carbuncle.  She inundated it with so much light that she drowned it in shadow, and all the mean faces in it underwent eclipse.  Her splendour blotted out all else.

Every eye was turned towards her.

Tom-Jim-Jack was in the crowd.  He was lost like the rest in the nimbus of this dazzling creature.

The lady at first absorbed the whole attention of the public, who had crowded to the performance, thus somewhat diminishing the opening effects of “Chaos Vanquished.”

Whatever might be the air of dreamland about her, for those who were near she was a woman; perchance too much a woman.

She was tall and amply formed, and showed as much as possible of her magnificent person.  She wore heavy earrings of pearls, with which were mixed those whimsical jewels called “keys of England.”  Her upper dress was of Indian muslin, embroidered all over with gold—­a great luxury, because those muslin dresses then cost six hundred crowns.  A large diamond brooch closed her chemise, the which she wore so as to display her shoulders and bosom, in the immodest fashion of the time; the chemisette was made of that lawn of which Anne of Austria had sheets so fine that they could be passed through a ring.  She wore what seemed like a cuirass of rubies—­some uncut, but polished, and precious stones were sewn all over the body of her dress.  Then, her eyebrows were blackened with Indian ink; and her arms, elbows, shoulders, chin, and nostrils, with the top of her eyelids, the lobes of her ears, the palms of her hands, the tips of her fingers, were tinted with a glowing and provoking touch of colour.  Above all, she wore an expression of implacable determination to be beautiful.  This reached the point of ferocity.  She was like a panther, with the power of turning cat at will, and caressing.  One of her eyes was blue, the other black.