She was the daughter of Jean Charpentier, of Lyons, a devoted royalist, who died in the beginning of the Revolution; Madame Charpentier had died soon after bringing her children to London; and the Marquis of Downshire had become their guardian.  Miss Charpentier was now making a summer excursion under the care of the lady who had superintended her education.

In an affectionate and dutiful letter Scott acquainted his mother with his purpose of marriage, and Miss Carpenter remained at Carlisle until her destiny was settled.  The lady had a considerable private income, amounting to about L500 a year; the difficulties presented by the prudence and prejudices of family connections were soon overcome; and the marriage took place in St. Mary’s, Carlisle, on December 24, 1797.  Scott took his bride to a lodging in George Street, Edinburgh, the house which he had taken not being quite ready, and the first fortnight convinced her husband’s family that she had the sterling qualities of a wife.

Their house in South Castle Street, soon after exchanged for one in North Castle Street, which he inhabited down to 1826, became the centre of a highly agreeable circle; the evenings passed in a round of innocent gaiety; and they and their friends were passionately fond of the theatre.  Perhaps nowhere else could have been formed a society on so small a scale as that of Edinburgh at this time, including more of vigorous intellect, varied information, elegant tastes, and real virtue, affection and mutual confidence.

In the summer of 1798, Scott hired a cottage at Lasswade, on the Esk, about six miles from Edinburgh, having a garden with a most beautiful view.  In this retreat they spent several happy summers, receiving the visits of their chosen friends from the neighbouring city, and wandering amidst some of the most romantic scenery of Scotland.

Early Poems

In February, 1799, a London Bookseller named Bell, brought out Scott’s version of Goethe’s tragedy, “Goetz von Berlichingen of the Iron Hand,” having purchased the copyright for twenty-five guineas.  This was the first publication that bore Scott’s name.  In March of that year he took his wife to London, and met with some literary and fashionable society; but his chief object was to examine the antiquities of the Tower and Westminster, and to make researches among the manuscripts of the British Museum.  He found his “Goetz” favourably spoken of by the critics, but it had not attracted general attention.

About this time Scott wrote a play entitled “House of Aspen” which, having been read and commended by the celebrated actress, Mrs. Esten, was put in rehearsal by Kemble for the stage.  But the notion was abandoned; and discovering the play thirty years after among his papers, Scott sent it to the “Keepsake” of 1829.

His return to Scotland was hastened by the news of his father’s death, and his mother and sister spent the following summer and autumn in his cottage at Lasswade.  This summer produced his first serious attempt in verse, “Glenfinlas,” which was followed by the noble ballads, “Eve of St. John,” “The Grey Brother” and “Fire-King”; and it was in the course of this autumn that he first visited Bothwell Castle, the seat of Archibald, Lord Douglas, whose wife, and her companion, Lady Louisa Stuart, were among his dearest friends through life.