On my arrival at home—at the house—I cannot call any place here my home!—I found Renty waiting to exhibit to me an extremely neatly made leather pouch, which he has made by my order, of fitting size and dimensions, to receive Jack’s hatchet and saw. Jack and I have set up a sort of Sir Walter and Tom Purdie companionship of clearing and cutting paths through the woods nearest to the house; thinning the overhanging branches, clearing the small evergreen thickets which here and there close over and across the grassy track. To me this occupation was especially delightful until quite lately, since the weather began to be rather warmer and the snakes to slide about. Jack has contrived to inoculate me with some portion of his terror of them; but I have still a daily hankering after the lovely green wood walks; perhaps when once I have seen a live rattlesnake my enthusiasm for them will be modified to the degree that his is.
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Dear E——. This letter has remained unfinished, and my journal interrupted for more than a week. Mr. —— has been quite unwell, and I have been travelling to and fro daily between Hampton and the Rice Island in the long boat to visit him; for the last three days I have remained at the latter place, and only returned here this morning early. My daily voyages up and down the river have introduced me to a great variety of new musical performances of our boatmen, who invariably, when the rowing is not too hard, moving up or down with the tide, accompany the stroke of their oars with the sound of their voices. I told you formerly that I thought I could trace distinctly some popular national melody with which I was familiar in almost all their songs; but I have been quite at a loss to discover any such foundation for many that I have heard lately, and which have appeared to me extraordinarily wild and unaccountable. The way in which the chorus strikes in with the burthen, between each phrase of the melody chanted by a single voice, is very curious and effective, especially with the rhythm of the rowlocks for accompaniment. The high voices all in unison, and the admirable time and true accent with which their responses are made, always make me wish that some great musical composer could hear these semi-savage performances. With a very little skilful adaptation and instrumentation, I think one or two barbaric chants and choruses might be evoked from them that would make the fortune of an opera.


