BENTIVOGLIO, an Italian family of princely rank, long supreme in Bologna; B., Guido, cardinal, though a disciple of Galileo, was one of the Inquisitors-General who signed his condemnation (1579-1641).

BENTLEY, RICHARD, scholar and philologist, born in Yorkshire; from the first devoted to ancient, especially classical, learning; rose to eminence as an authority on literary criticism, his “Dissertation upon the Epistles of Phalaris,” which he proved to be a forgery, commending him to the regard and esteem of all the scholars of Europe, a work which may be said to have inaugurated a new era in literary historical criticism (1662-1742).

BENUE, an affluent of the Niger, 300 m. long, falling into it 230 m. up, described by Dr. Barth and explored by Dr. Baikic, and offers great facilities for the prosecution of commerce.

BENVOLIO, a cantankerous, disputatious gentleman in “Romeo and Juliet.”

BENYOW`SKY, COUNT, a Hungarian, fought with the Poles against Russia; taken prisoner; was exiled to Kamchatka; escaped with the governor’s daughter; came to France; sent out to Madagascar; was elected king by the natives over them; fell in battle against the French (1741-1786).

BENZENE, a substance compounded of carbon and hydrogen, obtained by destructive distillation from coal-tar and other organic bodies, used as a substitute for turpentine and for dissolving grease.

BENZOIN, a fragrant concrete resinous juice flowing from a styrax-tree of Sumatra, used as a cosmetic, and burned as incense.

BEOWULF, a very old Anglo-Saxon romance consisting of 6356 short alliterative lines, and the oldest extant in the language, recording the exploits of a mythical hero of the name, who wrestled Hercules-wise, at the cost of his life, with first a formidable monster, and then a dragon that had to be exterminated or tamed into submission before the race he belonged to could live with safety on the soil.

BERANGER, PIERRE JEAN DE, a celebrated French song-writer, born at Paris, of the lower section of the middle class, and the first of his countrymen who in that department rose to the high level of a true lyric poet; his first struggles with fortune were a failure, but Lucien Bonaparte took him up, and under his patronage a career was opened up for him; in 1815 appeared as an author, and the sensation created was immense, for the songs were not mere personal effusions, but in stirring accord with, and contributed to influence, the great passion of the nation at the time; was, as a Republican—­which brought him into trouble with the Bourbons—­a great admirer of Napoleon as an incarnation of the national spirit, and contributed not a little to the elevation of his nephew to the throne, though he declined all patronage at his hands, refusing all honours and appointments; has been compared to Burns, but he lacked both the fire and the humour of the Scottish poet.  “His poetical works,” says Professor Saintsbury, “consist entirely of chansons political, amatory, bacchanalian, satirical, philosophical after a fashion, and of almost every other complexion that the song can possibly take” (1780-1859).