Against the Grain eBook

This eBook from the Gutenberg Project consists of approximately 198 pages of information about Against the Grain.

Against the Grain eBook

This eBook from the Gutenberg Project consists of approximately 198 pages of information about Against the Grain.

But his eyelids remained heavy.  He ceased to pace about the short space between the baptistery and the bath; he leaned against the window.  His dizziness ended.  He carefully stopped up the vials, and used the occasion to arrange his cosmetics.  Since his arrival at Fontenay he had not touched them; and now was quite astonished to behold once more this collection formerly visited by so many women.  The flasks and jars were lying heaped up against each other.  Here, a porcelain box contained a marvelous white cream which, when applied on the cheeks, turns to a tender rose color, under the action of the air—­to such a true flesh-color that it procures the very illusion of a skin touched with blood; there, lacquer objects incrusted with mother of pearl enclosed Japanese gold and Athenian green, the color of the cantharis wing, gold and green which change to deep purple when wetted; there were jars filled with filbert paste, the serkis of the harem, emulsions of lilies, lotions of strawberry water and elders for the complexion, and tiny bottles filled with solutions of Chinese ink and rose water for the eyes.  There were tweezers, scissors, rouge and powder-puffs, files and beauty patches.

He handled this collection, formerly bought to please a mistress who swooned under the influence of certain aromatics and balms,—­a nervous, unbalanced woman who loved to steep the nipples of her breasts in perfumes, but who never really experienced a delicious and overwhelming ecstacy save when her head was scraped with a comb or when she could inhale, amid caresses, the odor of perspiration, or the plaster of unfinished houses on rainy days, or of dust splashed by huge drops of rain during summer storms.

He mused over these memories, and one afternoon spent at Pantin through idleness and curiosity, in company with this woman at the home of one of her sisters, returned to him, stirring in him a forgotten world of old ideas and perfumes; while the two women prattled and displayed their gowns, he had drawn near the window and had seen, through the dusty panes, the muddy street sprawling before him, and had heard the repeated sounds of galoches over the puddles of the pavement.

This scene, already far removed, came to him suddenly, strangely and vividly.  Pantin was there before him, animated and throbbing in this greenish and dull mirror into which his unseeing eyes plunged.  A hallucination transported him far from Fontenay.  Beside reflecting the street, the mirror brought back thoughts it had once been instrumental in evoking, and plunged in revery, he repeated to himself this ingenious, sad and comforting composition he had formerly written upon returning to Paris: 

“Yes, the season of downpours is come.  Now behold water-spouts vomiting as they rush over the pavements, and rubbish marinates in puddles that fill the holes scooped out of the macadam.

“Under a lowering sky, in the damp air, the walls of houses have black perspiration and their air-holes are fetid; the loathsomeness of existence increases and melancholy overwhelms one; the seeds of vileness which each person harbors in his soul, sprout.  The craving for vile debaucheries seizes austere people and base desires grow rampant in the brains of respectable men.

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Project Gutenberg
Against the Grain from Project Gutenberg. Public domain.