The second person who did not fear Bras-Coupe was Mademoiselle. On one of the giant’s earliest visits to see Palmyre he obeyed the summons which she brought him, to appear before the lady. A more artificial man might have objected on the score of dress, his attire being a single gaudy garment tightly enveloping the waist and thighs. As his eyes fell upon the beautiful white lady he prostrated himself upon the ground, his arms outstretched before him. He would not move till she was gone. Then he arose like a hermit who has seen a vision. “Bras-Coupe n’ pas oule oir zombis (Bras-Coupe dares not look upon a spirit).” From that hour he worshipped. He saw her often; every time, after one glance at her countenance, he would prostrate his gigantic length with his face in the dust.
The third person who did not fear him was—Agricola? Nay, it was the Spaniard—a man whose capability to fear anything in nature or beyond had never been discovered.
Long before the end of his probation Bras-Coupe would have slipped the entanglements of bondage, though as yet he felt them only as one feels a spider’s web across the face, had not the master, according to a little affectation of the times, promoted him to be his game-keeper. Many a day did these two living magazines of wrath spend together in the dismal swamps and on the meagre intersecting ridges, making war upon deer and bear and wildcat; or on the Mississippi after wild goose and pelican; when even a word misplaced would have made either the slayer of the other. Yet the months ran smoothly round and the wedding night drew nigh[3]. A goodly company had assembled. All things were ready. The bride was dressed, the bridegroom had come. On the great back piazza, which had been inclosed with sail-cloth and lighted with lanterns, was Palmyre, full of a new and deep design and playing her deceit to the last, robed in costly garments to whose beauty was added the charm of their having been worn once, and once only, by her beloved Mademoiselle.


