An Essay on comedy and the uses of the comic spirit eBook

This eBook from the Gutenberg Project consists of approximately 61 pages of information about An Essay on comedy and the uses of the comic spirit.

An Essay on comedy and the uses of the comic spirit eBook

This eBook from the Gutenberg Project consists of approximately 61 pages of information about An Essay on comedy and the uses of the comic spirit.

The practice of polite society will help in training them, and the professor on a sofa with beautiful ladies on each side of him, may become their pupil and a scholar in manners without knowing it:  he is at least a fair and pleasing spectacle to the Comic Muse.  But the society named polite is volatile in its adorations, and to-morrow will be petting a bronzed soldier, or a black African, or a prince, or a spiritualist:  ideas cannot take root in its ever-shifting soil.  It is besides addicted in self-defence to gabble exclusively of the affairs of its rapidly revolving world, as children on a whirligoround bestow their attention on the wooden horse or cradle ahead of them, to escape from giddiness and preserve a notion of identity.  The professor is better out of a circle that often confounds by lionizing, sometimes annoys by abandoning, and always confuses.  The school that teaches gently what peril there is lest a cultivated head should still be coxcomb’s, and the collisions which may befall high-soaring minds, empty or full, is more to be recommended than the sphere of incessant motion supplying it with material.

Lands where the Comic spirit is obscure overhead are rank with raw crops of matter.  The traveller accustomed to smooth highways and people not covered with burrs and prickles is amazed, amid so much that is fair and cherishable, to come upon such curious barbarism.  An Englishman paid a visit of admiration to a professor in the Land of Culture, and was introduced by him to another distinguished professor, to whom he took so cordially as to walk out with him alone one afternoon.  The first professor, an erudite entirely worthy of the sentiment of scholarly esteem prompting the visit, behaved (if we exclude the dagger) with the vindictive jealousy of an injured Spanish beauty.  After a short prelude of gloom and obscure explosions, he discharged upon his faithless admirer the bolts of passionate logic familiar to the ears of flighty caballeros:—­’Either I am a fit object of your admiration, or I am not.  Of these things one—­either you are competent to judge, in which case I stand condemned by you; or you are incompetent, and therefore impertinent, and you may betake yourself to your country again, hypocrite!’ The admirer was for persuading the wounded scholar that it is given to us to be able to admire two professors at a time.  He was driven forth.

Perhaps this might have occurred in any country, and a comedy of The Pedant, discovering the greedy humanity within the dusty scholar, would not bring it home to one in particular.  I am mindful that it was in Germany, when I observe that the Germans have gone through no comic training to warn them of the sly, wise emanation eyeing them from aloft, nor much of satirical.  Heinrich Heine has not been enough to cause them to smart and meditate.  Nationally, as well as individually, when they are excited they are in danger of the grotesque, as when, for instance,

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An Essay on comedy and the uses of the comic spirit from Project Gutenberg. Public domain.