The Czar found employment sufficient in his own dominions, and amused himself in digging canals, and building cities: murdering his subjects with insufferable fatigues, and transplanting nations from one corner of his dominions to another, without regretting the thousands that perished on the way: but he attained his end, he made his people formidable, and is numbered by fame among the demi-gods.
I am far from intending to vindicate the sanguinary projects of heroes and conquerors, and would wish rather to diminish the reputation of their success, than the infamy of their miscarriages: for I cannot conceive, why he that has burned cities, wasted nations, and filled the world with horrour and desolation, should be more kindly regarded by mankind, than he that died in the rudiments of wickedness; why he that accomplished mischief should be glorious, and he that only endeavoured it should be criminal. I would wish Caesar and Catiline, Xerxes and Alexander, Charles and Peter, huddled together in obscurity or detestation.
But there is another species of projectors, to whom I would willingly conciliate mankind; whose ends are generally laudable, and whose labours are innocent; who are searching out new powers of nature, or contriving new works of art; but who are yet persecuted with incessant obloquy, and whom the universal contempt with which they are treated, often debars from that success which their industry would obtain, if it were permitted to act without opposition.
They who find themselves inclined to censure new undertakings, only because they are new, should consider, that the folly of projection is very seldom the folly of a fool; it is commonly the ebullition of a capacious mind, crowded with variety of knowledge, and heated with intenseness of thought; it proceeds often from the consciousness of uncommon powers, from the confidence of those, who having already done much, are easily persuaded that they can do more. When Rowley had completed the orrery, he attempted the perpetual motion; when Boyle had exhausted the secrets of vulgar chymistry, he turned his thoughts to the work of transmutation[1].
A projector generally unites those qualities which have the fairest claim to veneration, extent of knowledge and greatness of design; it was said of Catiline, “immoderata, incredibilia, nimis alta semper cupiebat.” Projectors of all kinds agree in their intellects, though they differ in their morals; they all fail by attempting things beyond their power, by despising vulgar attainments, and aspiring to performances to which, perhaps, nature has not proportioned the force of man: when they fail, therefore, they fail not by idleness or timidity, but by rash adventure and fruitless diligence.


