the place.  It is a sort of inspiring deity, which every youth of quick sensibility and ingenious disposition creates to himself, by reflecting, that he is placed under those venerable walls, where a HOOKER and a HAMMOND, a BACON and a NEWTON, once pursued the same course of science, and from whence they soared to the most elevated heights of literary fame.  This is that incitement which Tully, according to his own testimony, experienced at Athens, when he contemplated the porticos where Socrates sat, and the laurel-groves where Plato disputed[2].

But there are other circumstances, and of the highest importance, which render our colleges superior to all other places of education.  Their institutions, although somewhat fallen from their primaeval simplicity, are such as influence, in a particular manner, the moral conduct of their youth; and in this general depravity of manners and laxity of principles, pure religion is no where more strongly inculcated.  The academies, as they are presumptuously styled, are too low to be mentioned; and foreign seminaries are likely to prejudice the unwary mind with Calvinism.  But English universities render their students virtuous, at least by excluding all opportunities of vice; and, by teaching them the principles of the Church of England, confirm them in those of true Christianity.

[1] Mr. Thomas Warton.

[2] A rich assemblage of examples, of the “influence of perceptible
    objects in reviving former thoughts and former feelings,” is
    collected in Dr. Brown’s Philosophy of the Human Mind, vol. 2,
    Lecture 38.

No. 34.  SATURDAY, DECEMBER 9, 1758.

To illustrate one thing by its resemblance to another, has been always the most popular and efficacious art of instruction.  There is indeed no other method of teaching that of which any one is ignorant, but by means of something already known; and a mind so enlarged by contemplation, and inquiry, that it has always many objects within its view, will seldom be long without some near and familiar image through which an easy transition may be made to truths more distant and obscure.

Of the parallels which have been drawn by wit and curiosity, some are literal and real, as between poetry and painting, two arts which pursue the same end, by the operation of the same mental faculties, and which differ only as the one represents things by marks permanent and natural, the other by signs accidental and arbitrary.  The one, therefore, is more easily and generally understood, since similitude of form is immediately perceived; the other is capable of conveying more ideas, for men have thought and spoken of many things which they do not see.

Other parallels are fortuitous and fanciful, yet these have sometimes been extended to many particulars of resemblance by a lucky concurrence of diligence and chance.  The animal body is composed of many members, united under the direction of one mind:  any number of individuals, connected for some common purpose, is therefore called a body.  From this participation of the same appellation arose the comparison of the body natural and body politick, of which, how far soever it has been deduced, no end has hitherto been found.