Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D. eBook

This eBook from the Gutenberg Project consists of approximately 412 pages of information about Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D..

Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D. eBook

This eBook from the Gutenberg Project consists of approximately 412 pages of information about Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D..

FULLER, LUCIA FAIRCHILD. Bronze medal, Paris Exposition, 1900; silver medal, Buffalo Exposition, 1901.  Member of the Society of American Artists and of the American Society of Miniature Painters.  Born in Boston.  Studied at the Cowles Art School, Boston, under Denis M. Bunker, and at the Art Students’ League, New York, under H. Siddons Mowbray and William M. Chase.

Mrs. Fuller is a most successful miniature painter.  Among her principal works are “Mother and Child,” in the collection of Mrs. David P. Kimball, Boston; “Girl with a Hand-Glass,” owned by Hearn; and “Girl Drying Her Feet,” for which the medal was given in Paris.

Mrs. Fuller’s miniatures are portraits principally, and are in private hands.  Some of her sitters in New York are Mrs. J. Pierpont Morgan and her children, Mrs. H. P. Whitney and children, J. J. Higginson, Esq., Dr. Edwin A. Tucker, and many others.

GAGGIOTTI-RICHARDS, EMMA. Historical and portrait painter, of the middle of the nineteenth century, is known by her portrait of Alexander von Humboldt (in possession of the Emperor William II.) and by her portrait of herself before her easel.  Her historical paintings include “The Crusader” and a “Madonna.”

GALLI, EMIRA. Reproduces with great felicity the customs of the lagoons, the boys and fishermen of which she represents with marvellous fidelity.  She depicts not only characteristics of features and dress, but of movement.  “Giovane veneziana” and “Ragazzo del Popolo” were exhibited at Turin in 1880, and were much admired.  “Il Falconiere” was exhibited at both Turin and Milan.  “Un Piccolo Accattone” has also been accorded warm praise.

GARDNER, ELIZABETH JANE. Honorable mention, Paris Salon, 1879; gold medal, 1889; hors concours.  Born in Exeter, New Hampshire, 1851, her professional life has been spent in Paris, where she was a pupil of Hugues Merle, Lefebvre, and M. William A. Bouguereau, whom she married.

[No reply to circular.]

GARRIDO Y AGUDO, MARIA DE LA SOLEDAD. Born in Salamanca.  Pupil of Juan Peyro.  She exhibited two works at the National Exposition, 1876—­a portrait and a youth studying a picture.  In 1878 she sent to the same exposition “The Sacrifice of the Saguntine Women.”  At the Philadelphia Exposition, 1876, she exhibited her “Messenger of Love.”  Her “Santa Lucia” is in the church of San Roque de Gardia.

GASSO Y VIDAL, LEOPOLDA. Honorable mention, 1876.  Prizes, 1876, for two works sent to the Provincial Exposition of Leon.  Member of the Association of Authors and Artists, 1876.  Born in the Province of Toledo.  Pupil of Manuel Martinez Ferrer and Isidoro Lozano.  At Madrid, in 1881, she exhibited “A Pensioner,” “A Beggar,” a portrait of Senorita M. J., and a landscape; in 1878, “A Coxcomb,” “Street Venders of Avila,” and a landscape; and in 1881, at an exhibition held by D. Ricardo Hernandez, were seen a landscape and a portrait of D. Lucas Aguirre y Juarez.

Copyrights
Project Gutenberg
Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D. from Project Gutenberg. Public domain.