Her principal works are “In the Reign of Terror” and “Jephthah’s Vow,” both in the Liverpool Permanent Collection; “The Mistletoe Bough”; “Arrested, or the Nihilist”; “Flight,” exhibited at Royal Academy in 1901; “King Edward VII.,” 1902.

Miss Macgregor is a lecturer on art in the Victoria University Extension Lecture Scheme, and has lectured on Italian painting and on the National Gallery in many places.

At the London Academy in 1903 she exhibited “The Nun,” “If a Woman Has Long Hair, it is a Glory to Her,” I Cor. xi. 15; “Behind the Curtain,” “Christmas in a Children’s Hospital,” and “Little Bo-peep.”

MACKUBIN, FLORENCE. Bronze medal and diploma, Tennessee Exposition, 1897.  Vice-president of Baltimore Water-Color Club.  Born in Florence, Italy.  Studied in Fontainebleau under M. Laine, in Munich under Professor Herterich, and in Paris under Louis Deschamps and Julius Rolshoven; also with Mlle. J. Devina in miniature painting.

Miss Mackubin has exhibited at the Paris Salon, the London Academy, and the National Academy, New York.  Her works are portraits in miniature, pastel, and oil colors.

She was appointed by the Board of Public Works of Maryland to copy the portrait of Queen Henrietta Maria, for whom Maryland was named.  The portrait is by Vandyck and in Warwick Castle.  Miss Mackubin’s copy is in the State House at Annapolis.

Her portraits are numerous.  Among them are those of Mrs. Charles J. Bonaparte, Justice Horace Gray, Hon. George F. Hoar, Mrs. Thomas F. Bayard, and many others.  In England she painted portraits of the Countess of Warwick, the Marchioness of Bath, and several other ladies.

Miss Mackubin’s portrait of Cardinal Gibbons, exhibited in Baltimore in 1903, is much praised.  He is sitting in an armchair near a table on which are books.  The pose of the figure is natural, the drawing excellent, the flesh tints well handled, and the likeness satisfactory to an unusual degree.  The accessories are justly rendered and the values well preserved—­the texture of the stuffs, the ring on the hand, the hand delicate and characteristic; in short, this is an excellent example of dignified portraiture.

MACMONNIES, MARY FAIRCHILD. Awarded a scholarship in Paris by the St. Louis School of Fine Arts; medal at Chicago, 1893; bronze medal at Paris Exposition, 1900; bronze medal at Buffalo, 1901; gold medal at Dresden, 1902; Julia M. Shaw prize, Society of American Artists, New York, 1902.  Associate member of Societe Nationale des Beaux-Arts, Paris; member of the Society of American Artists, New York.  Born at New Haven, Connecticut, about 1860.

Pupil of School of Fine Arts, St. Louis, Academy Julian, Paris, and of Carolus Duran.

Exhibited at Salon des Beaux-Arts, 1902, “The October Sun,” “The Last Rays,” and “The Rain”; in 1903, “A Snow Scene.”

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MACOMBER, MARY L. Bronze medal, Massachusetts Charitable Mechanics’ Association, 1895; bronze medal, Cotton State and International Exposition, 1895; Dodge prize, National Academy, New York, 1897; honorable mention, Carnegie Institute, 1901.  Member of the Copley Society, Boston.  Born in Fall River, Massachusetts, 1861.  Pupil of Robert Dunning, School of Boston Art Museum under Otto Grundmann and F. Crowninshield, and of Frank Duveneck.