The Spectator, Volumes 1, 2 and 3 eBook

This eBook from the Gutenberg Project consists of approximately 3,418 pages of information about The Spectator, Volumes 1, 2 and 3.

The Spectator, Volumes 1, 2 and 3 eBook

This eBook from the Gutenberg Project consists of approximately 3,418 pages of information about The Spectator, Volumes 1, 2 and 3.
a pretty Girl can move Lasciviously, and have the same good Consequence for the Author.  Dull Poets in this Case use their Audiences, as dull Parasites do their Patrons; when they cannot longer divert [them [4]] with their Wit or Humour, they bait [their [5]] Ears with something which is agreeable to [their [6]] Temper, though below [their [7]] Understanding. Apicius cannot resist being pleased, if you give him an Account of a delicious Meal; or Clodius, if you describe a Wanton Beauty:  Tho’ at the same time, if you do not awake those Inclinations in them, no Men are better Judges of what is just and delicate in Conversation.  But as I have before observed, it is easier to talk to the Man, than to the Man of Sense.

It is remarkable, that the Writers of least Learning are best skilled in the luscious Way.  The Poetesses of the Age have done Wonders in this kind; and we are obliged to the Lady who writ Ibrahim [8], for introducing a preparatory Scene to the very Action, when the Emperor throws his Handkerchief as a Signal for his Mistress to follow him into the most retired Part of the Seraglio.  It must be confessed his Turkish Majesty went off with a good Air, but, methought, we made but a sad Figure who waited without.  This ingenious Gentlewoman, in this piece of Bawdry, refined upon an Author of the same Sex, [9] who, in the Rover, makes a Country Squire strip to his Holland Drawers.  For Blunt is disappointed, and the Emperor is understood to go on to the utmost.  The Pleasantry of stripping almost Naked has been since practised (where indeed it should have begun) very successfully at Bartholomew Fair.

It is not here to be omitted, that in one of the above-mentioned Female Compositions, the Rover is very frequently sent on the same Errand; as I take it, above once every Act.  This is not wholly unnatural; for, they say, the Men-Authors draw themselves in their chief Characters, and the Women-Writers may be allowed the same Liberty.  Thus, as the Male Wit gives his Hero a [good] Fortune, the Female gives her Heroin a great Gallant, at the End of the Play.  But, indeed, there is hardly a Play one can go to, but the Hero or fine Gentleman of it struts off upon the same account, and leaves us to consider what good Office he has put us to, or to employ our selves as we please.  To be plain, a Man who frequents Plays would have a very respectful Notion of himself, were he to recollect how often he has been used as a Pimp to ravishing Tyrants, or successful Rakes.  When the Actors make their Exit on this good Occasion, the Ladies are sure to have an examining Glance from the Pit, to see how they relish what passes; and a few lewd Fools are very ready to employ their Talents upon the Composure or Freedom of their Looks.  Such Incidents as these make some Ladies wholly absent themselves from the Play-House; and others never miss the first Day of a Play, lest it should prove too luscious to admit their going with any Countenance to it on the second.

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The Spectator, Volumes 1, 2 and 3 from Project Gutenberg. Public domain.