The Spectator, Volumes 1, 2 and 3 eBook

This eBook from the Gutenberg Project consists of approximately 3,418 pages of information about The Spectator, Volumes 1, 2 and 3.

The Spectator, Volumes 1, 2 and 3 eBook

This eBook from the Gutenberg Project consists of approximately 3,418 pages of information about The Spectator, Volumes 1, 2 and 3.
to describe the agreeable Horrour that rises from such a Prospect.  A troubled Ocean, to a Man who sails upon it, is, I think, the biggest Object that he can see in motion, and consequently gives his Imagination one of the highest kinds of Pleasure that can arise from Greatness.  I must confess, it is impossible for me to survey this World of fluid Matter, without thinking on the Hand that first poured it out, and made a proper Channel for its Reception.  Such an Object naturally raises in my Thoughts the Idea of an Almighty Being, and convinces me of his Existence as much as a metaphysical Demonstration.  The Imagination prompts the Understanding, and by the Greatness of the sensible Object, produces in it the Idea of a Being who is neither circumscribed by Time nor Space.
As I have made several Voyages upon the Sea, I have often been tossed in Storms, and on that occasion have frequently reflected on the Descriptions of them in ancient Poets.  I remember Longinus highly recommends one in Homer, because the Poet has not amused himself with little Fancies upon the occasion, as Authors of an inferiour Genius, whom he mentions, had done, but because he has gathered together those Circumstances which are the most apt to terrify the Imagination, and which really happen in the raging of a Tempest. [1] It is for the same reason, that I prefer the following Description of a Ship in a Storm, which the Psalmist has made, before any other I have ever met with.
’They that go down to the Sea in Ships, that do Business in great Waters:  These see the Works of the Lord, and his Wonders in the Deep.  For he commandeth and raiseth the stormy Wind, which lifteth up the Waters thereof.  They mount up to the Heaven, they go down again to the Depths, their Soul is melted because of Trouble.  They reel to and fro, and stagger like a drunken Man, and are at their Wits End.  Then they cry unto the Lord in their Trouble, and he bringeth them out of their Distresses.  He maketh the Storm a Calm, so that the Waves thereof are still.  Then they are glad because they be quiet, so he bringeth them unto their desired Haven.’ [2]
By the way, how much more comfortable, as well as rational, is this System of the Psalmist, than the Pagan Scheme in Virgil, and other Poets, where one Deity is represented as raising a Storm, and another as laying it?  Were we only to consider the Sublime in this Piece of Poetry, what can be nobler than the Idea it gives us of the Supreme Being thus raising the Tumult among the Elements, and recovering them out of their Confusion; thus troubling and becalming Nature?
Great Painters do not only give us Landskips of Gardens, Groves, and Meadows, but very often employ their Pencils upon Sea-Pieces:  I could wish you would follow their Example.  If this small Sketch may deserve a Place among your Works, I shall accompany it with a divine Ode, made by a Gentleman [3] upon the Conclusion of his Travels.

I. How are thy Servants blest, O Lord! 
How sure is their Defence! 
Eternal Wisdom is their Guide,
Their Help Omnipotence.

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Project Gutenberg
The Spectator, Volumes 1, 2 and 3 from Project Gutenberg. Public domain.