“Remarkable is the easy triumph of lovers over the innocence of free-born girls, daughters of citizens, examples of which may be found in the Eunuchus and Adelphi of Terence.  They call attention to the low opinion the ancients had of a woman’s power to guard her sensual impulses, and of her own accord resist attacks on her honor.”

The Abbe Dubois says the same thing about Hindoo girls, and the reason why they are so carefully guarded.  It is hardly necessary to add that since no one would be so foolish as to call a man honest who refrains from stealing merely because he has no opportunity, it is equally absurd to call a woman honest or coy who refrains from vice only because she is locked up all the time.  The fact (which seems to give Westermarck (64-65) much satisfaction), that some Australians, American Indian and other tribes watch young girls so carefully, does not argue the prevalence of chaste coyness, but the contrary.  If the girls had an instinctive inclination to repel improper advances it would not be necessary to cage and watch them.  This inclination is not inborn, does not characterize primitive women, but is a result of education and culture.

MILITARISM AND MEDIAEVAL WOMEN

Greatly as Greeks and Indians differ in some respects, they have two things in common—­a warlike spirit and contempt for women.  “When Greek meets Greek then comes a tug of war,” and the Indian’s chief delight is scalp hunting.  The Greeks, as Rohde notes (42),

“depict their greatest heroes as incited to great deeds only by eagerness for battle and desire for glory.  The love of women barely engages their attention transiently in hours of idleness.”

Militarism is ever hostile to love except in its grossest forms.  It brutalizes the men and prevents the growth of feminine qualities, coyness among others.  Hence, wherever militarism prevails, we seek in vain for feminine reserve.  An interesting illustration of this may be found in a brochure by Theodor Krabbes, Die Frau im Altfranzoesischen Karls-Epos (9-38).  The author, basing his inferences on an exhaustive study and comparison of the Chansons de Geste of the eleventh and twelfth centuries, draws the following general conclusions: 

“Girlish shyness is not a trait of the daughters, least of all those of heathen origin.  Masculine tendencies characterize them from childhood.  Fighting pleases them and they like to look on when there is a battle....  Love plays an important role in nearly all the Chansons de Geste....  The woman wooes, the man grants:  nearly always in these epics we read of a woman who loves, rarely of one who is loved....  In the very first hour of their acquaintance the girl is apt to yield herself entirely to the chosen knight, and she persists in her passion for him even if she is entirely repulsed.  There is no more rest for her.  Either she wooes