[Footnote 81:  Plates 28 and 32.  See also Archer, Indian Painting, Plate 7.]

[Footnote 82:  The Art of India and Pakistan, Plate 85.]

[Footnote 83:  Plate 32.]

[Footnote 84:  Plate 34.]

[Footnote 85:  Plate 33.]

[Footnote 86:  Bharat Kala Bhawan, Banaras.]

[Footnote 87:  Eric Dickinson, ’The Way of Pleasure:  the Kishangarh Paintings’, 2 Marg, Vol.  III, No. 4, 29-35.]

[Footnote 88:  Ibid., 31.]

[Footnote 89:  Plate 39.]

[Footnote 90:  For cartoons of this picture, see A.K.  Coomaraswamy, Indian Drawings (London, 1912), Vol.  II, Plate 2 and Rajput Painting, Vol.  II, Plates 9 and 10.]

[Footnote 91:  Note 22.]

[Footnote 92:  Gangoly, Masterpieces of Rajput Painting, Plate 10.]

[Footnote 93:  Plates 4, 10, 26, 27, 30 and 31. The Art of India and Pakistan, Plates 100-102.]

[Footnote 94:  Plate 4.]

[Footnote 95:  Plate 10.]

[Footnote 96:  Archer, Indian Painting in the Punjab Hills, Fig. 6.]

[Footnote 97:  Plate 30.  Coomaraswamy, Boston Catalogue, V, Rajput Painting, Plates 92-95.]

[Footnote 98:  Note 23.]

[Footnote 99:  Coomaraswamy, Boston Catalogue, V, Rajput Painting, 171.]

[Footnote 100:  Ibid., 172.]

[Footnote 101:  Ibid., 173.]

[Footnote 102:  Plates 26 and 27. The Art of India and Pakistan, Plate 102.]

[Footnote 103:  Archer, Garhwal Painting, 1-4.]

[Footnote 104:  Gangoly, op. cit., Plate 35.]

[Footnote 105:  Archer, Indian Painting in the Punjab Hills, Fig. 23.]

[Footnote 106:  Mehta, Studies in Indian Painting, Plate 21.]

[Footnote 107:  Plates 19, 20 and 35.]

[Footnote 108:  Coomaraswamy, Rajput Painting, Plates 53 and 54.]

[Footnote 109:  Archer, Garhwal Painting, Plate 1.]

[Footnote 110:  Plates 7, 12 and 25.]

[Footnote 111:  Archer, Kangra Painting, 2-5.]

[Footnote 112:  Ibid., Plate 2.]

[Footnote 113:  Ibid., Plate 1.]

[Footnote 114:  Ibid., Plate 2.]

[Footnote 115:  B.H.  Baden Powell, Handbook of the Manufactures and Arts of the Punjab (Lahore, 1872), 355.  Purkhu must now, most probably, be connected with the first of the two Kangra masters described in Kangra Painting (p. 4)—­Plates 3 and 4 being examples of his work.]

[Footnote 116:  Plates 3, 5, 6, 8, 9, 11 and 16.]

[Footnote 117:  Archer, Kangra Painting, Plates 1 and 2; also p. 4 where the second of the two Kangra masters is described.]

[Footnote 118:  Plate 36; Mehta, op. cit., Plates 25 and 26.]

[Footnote 119:  Plate 21.]

[Footnote 120:  Mehta, op. cit., Plate 22.]