Antonelli had a face which gave one an idea of the expression “beaute du Diable,” for a more perfect type of Satanic intelligence and malignity than it showed at times I cannot conceive. If I had been a figure painter, I should certainly have painted him as Mephistopheles, as he appeared in the audience room in his close-fitting purple costume with scarlet trimmings, his long coat-tails flying behind him when he moved like the fringe of a flame. He was the most curious contrast to the Pope, with his humorous and kindly manner, that it is possible to conceive, for the Cardinal was nothing if not sardonic and serious. The very slightest trace of humor would have transformed him completely.
Unique as was the government, so was the position of a consul. It had something of the exterritoriality of the same position in the Turkish empire. The arms of my government over my door were a protection against legal process, and I imagine that my predecessor had so employed it, for when I had my first clothes made the tailor refused to send them to the consulate till they were paid for. I had a right to carry arms and shoot anywhere in the territory of the Pope, and I had an absolute control over the passports, i.e. over the movements of my fellow citizens, for no one who had come to Rome with the passport of the United States of America could leave it without my visa, and I could sequestrate the passport whenever I saw fit. But on the part of my own government the consideration afforded was the minimum of its kind. I had no salary, and my compensation was


