Autobiographical Sketches eBook

This eBook from the Gutenberg Project consists of approximately 252 pages of information about Autobiographical Sketches.

Autobiographical Sketches eBook

This eBook from the Gutenberg Project consists of approximately 252 pages of information about Autobiographical Sketches.

I have heard that the love between my father and mother was a very beautiful thing, and it most certainly stamped her character for life.  He was keenly intellectual, and splendidly educated; a mathematician and a good classical scholar, thoroughly master of French, German, Italian, Spanish, and Portuguese, with a smattering of Hebrew and Gaelic, the treasures of ancient and of modern literature were his daily household delight.  Nothing pleased him so well as to sit with his wife, reading aloud to her while she worked; now translating from some foreign poet, now rolling forth melodiously the exquisite cadences of Queen Mab.  Student of philosophy as he was, he was deeply and steadily sceptical; and a very religious relative has told me that he often drove her from the room by his light playful mockery of the tenets of the Christian faith.  His mother and sister were strict Roman Catholics, and near the end forced a priest into his room, but the priest was promptly ejected by the wrath of the dying man, and by the almost fierce resolve of the wife that no messenger of the creed he detested should trouble her darling at the last.

This scepticism of his was not wholly shared by his wife, who held to the notion that women should be “religious,” while men might philosophise as they would; but it so deeply influenced her own intellectual life that she utterly rejected the most irrational dogmas of Christianity, such as eternal punishment, the vicarious atonement of Christ, the doctrine that faith is necessary to salvation, the equality of Christ with God, the infallibility of the Bible; she made morality of life, not orthodoxy of belief, her measure of “religion”; she was “a Christian”, in her own view of the matter, but it was a Christian of the school of Jowett, of Colenso, and of Stanley.  The latter writer had for her, in after years, the very strongest fascination, and I am not sure that his “variegated use of words”, so fiercely condemned by Dr. Pusey, did not exactly suit her own turn of mind, which shrank back intellectually from the crude dogmas of orthodox Christianity, but clung poetically to the artistic side of religion, to its art and to its music, to the grandeur of its glorious fanes, and the solemnity of its stately ritual.  She detested the meretricious show, the tinsel gaudiness, the bowing and genuflecting, the candles and the draperies, of Romanism, and of its pinchbeck imitator Ritualism; but I doubt whether she knew any keener pleasure than to sit in one of the carved stalls of Westminster Abbey, listening to the polished sweetness of Dean Stanley’s exquisite eloquence; or to the thunder of the organ mingled with the voices of the white-robed choristers, as the music rose and fell, as it pealed up to the arched roof and lost itself in the carven fretwork, or died away softly among the echoes of the chapels in which kings and saints and sages lay sleeping, enshrining in themselves the glories and the sorrows of the past.

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Autobiographical Sketches from Project Gutenberg. Public domain.