to some man who is known to have suffered from the infidelity of his wife, from a superstitious notion, that thereby the rest will be preserved from mischance.  Sometimes the cake is so thin, as to be carried by the current of the air up into the chimney.  As the baking is wholly performed by the hand, a great deal of noise is the consequence.  The beats, however, are not irregular, nor destitute of an agreeable harmony, especially when they are accompanied with vocal music, which is frequently the case.  Great dexterity is necessary, not only to beat out the cakes with no other instrument than the hand, so that no part of them shall be thicker than another, but especially to cast them from one board to another without ruffling or breaking them.  The toasting requires considerable skill; for which reason the most experienced person in the company is chosen for that part of the work.  One cake is sent round in quick succession to another, so that none of the company is suffered to be idle.  The whole is a scene of activity, mirth, and diversion.  As there is no account, even by tradition itself, concerning the origin of this custom, it must be very ancient.  The bread thus baked was, doubtless, never intended for common use.  It is not easy to conceive how mankind, especially in a rude age, would strictly observe so many ceremonies, and be at so great pains in making a cake, which, when folded together, makes but a scanty mouthful.[16] Besides, it is always given away in presents to strangers who frequent the fair.  The custom seems to have been originally derived from paganism, and to contain not a few of the sacred rites peculiar to that impure religion; as the leavened dough, and the mixing it with sugar and spices, the consecrated ground, &c.; but the particular deity, for whose honour these cakes were at first made, is not, perhaps, easy to determine.  Probably it was no other than the one known in Scripture (Jer. 7 ch. 18 v.) by the name of the Queen of Heaven, and to whom cakes were likewise kneaded by women.

J.S.W.

[15] These names are descriptive of the manner in which the women, so called, perform their part of the work, To todle, is to walk or move slowly, like a child; to trodle, is to walk or move more quickly.

    [16] From our Correspondent’s description of these cakes, we
    suppose them to resemble the wafers sold by the confectioners,
    except in the elegant designs on their surface.

* * * * *

SONG.

FROM METASTATIO.

(For The Mirror.)

  How in the depth of winter rude
    A lovely flower is prized,
  Which in the month of April view’d,
    Perhaps has been despised. 
  How fair amid the shades of night
    Appears the stars’ pale ray;
  Behold the sun’s more dazzling light,
    It quickly fades away.

E.L.I.